6 lo-fi mixing tricks that will make your track stand out in the club

In today’s world of uber-polished productions, mixing is one of the most difficult skills to perfect. Of course, we all want our dancefloor bangers to elicit a visceral response from a crowd, and stand up when played side-by-side against the loudest, brightest, punchiest tunes out there. 

Yet it’s extremely common for the ‘bedroom’ mixdown to fall a little flat when magnified through a club’s mega soundsystem - the perceived clarity, depth and weight that you carefully honed in the studio often just doesn’t translate as perfectly as you’d like when it’s on such a massive scale.

It might sound counter-intuitive, but sometimes you can make your tracks stand out more if you embrace a more lo-fi approach to mixing, as the following six tricks will demonstrate

For more club-orientated mixing tutorials, get the October 2018 edition of Future Music.

1. Dial in the dirt

In today’s world of high-fidelity production standards, a bit of roughness or grit can invoke a much-needed nostalgic feel. Lo-fi your track’s kick, snare, percussion or melodics with overt sample-rate reduction or bitcrushing to help the part poke out in the club.

2. Over-distort

Distortion and synthetic sounds are best friends. Go beyond subtlety and over-distort one or two sounds in your mix for the ultimate in harmonic personality, roughness and ‘bloat’. Drums are obvious candidates, particularly TR-909 drums and 808 kicks.

3. Consider contrast

Contrast is an essential consideration in dance music production. Juxtapose bright, hi-fi sounds with dark, rough signals; or pair some shockingly ‘cheap’ sounds with more obviously processed, polished creations.

4. Cut them off

Traditional ‘pop’ mixdowns progress smoothly and naturally - an approach that goes against dance music’s raw, sampled aesthetic. Harshly curtail sustained sounds and reverb tails with stark volume cuts to jolt a dancefloor into unexpected submission.

5. Leave in the 'bad' bits

Chopping samples and audio files can often result in digital pops and clicks. Instead of removing these with fades, embrace them! Purposely leave in some errors to create lo-fi vocal stutters, glitchy buildups, front-end attack and much more besides.

6. Little and large

We all want our beats, bass and synths to sound ‘full’, but the beauty of rough '90s dance music was the relatively low production values. Do the same and thin out all your sounds to accommodate one giant element - eg, skinny beats paired with a gigantic bassline.

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