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Computer Music, Fri 29 May 2009, 2:06 pm UTC

Step 5: We repeat almost the same process using another Sylenth 1 patch, making sure there's not too much sub. Because our Moog tone is quite warm, we've gone for a sharper, virtual analogue tone here. If you're making drum 'n' bass or breaks, you'll likely want a harsher, harder tone for your top end than this. If that's the case, pick a different kind of patch.
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