MusicRadar Verdict
We could take or leave the bass section, and UVI needs to start writing proper manuals, but otherwise, this is a great start for the PX range.
Pros
- +
Great sounds.
Cons
- -
Poor manual!
MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.
The first in its PX series of multisampled synthesiser curios, UVI's new soundbank for Falcon and the free UVI Workstation samples the extremely rare Moog Apollo synth (which never got past the prototype stage - only two are known to exist) to produce a loose recreation.
Like the original, PX Apollo features 14 preset patches, called up using Oscillator A's Master Voice Selector, and an optional 'left hand' bass section, switching the bottom three octaves over to a separate Bass oscillator.
Oscillator B is a new addition - a phase distortion oscillator with 12 waveshapes. Beyond that, UVI's usual complement of effects, and filtering, modulation and arpeggio options are all in place, as is a library of about 150 presets.
PX Apollo sounds gorgeous - warm, lively and very 'Moog' - and, despite being sample-based, includes more than enough animating and tone-shaping tools to satisfy the serious sound designer.
“After every take, Mutt would say, ‘Check the tuning, man!’ This went on and on for almost a year. One day, I just gave him the guitar and said, ‘You tune it. I can’t take this anymore!’”: How legendary producer Mutt Lange drove the Cars half-mad
“Last time I saw my mother alive was at her own father’s funeral. It sounds almost too Irish": Bono shares trailer for his Apple TV+ documentary
“If it’s not all samples, what did those people do to get that credit on the song?”: Diane Warren on the trend for hit songs having multiple writers, and why she prefers to work alone
