Providence Red Rock OD review

Overdrive with an American soul

  • £216
  • €186
  • $199
The FAT switch is useful for adding gain to lower frequencies to beef up thinner-sounding single-coil pickup tones

MusicRadar Verdict

An ideal hotter companion to the boost pedal on your board, that can be tone-tweaked to complement your rig.


  • +

    Has its own sound. Thoughtful array of control. Complements a variety of guitars.


  • -


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The Red Rock is billed as a US-voiced overdrive with tones as hot as 'the sizzling sun'. While this true-bypass pedal isn't quite as scorching as all that, there's typically thoughtful design from Providence here, starting with the circuitry that hops the 9V power supply up to 18V internally to provide extra headroom, plus a flexible suite of controls that includes a buffered boost at the input, adjustable via the volume dial.

There's also a FAT switch, which is useful for adding gain to lower frequencies to beef up thinner-sounding single-coil pickup tones. Master output level, tone and gain controls complete the picture.


"The Red Rock delivers thick, sustaining drive tones in spades"

The Red Rock delivers thick, sustaining drive tones in spades: from smooth Larry Carlton- style solo tones to chewy, Hendrix-y lead sounds.

The FAT switch proves useful for nudging our Telecaster towards Les Paul territory, for example, though we found it best used judiciously, as it does rob some of the penetration and bite from fatter pickups.

The volume control makes it possible to tailor the pedal's performance to suit a given guitar: for example, more input level from the volume and less outright dirt from the gain control helps humbuckers retain edge and clarity, while engaging the FAT switch and upping overall gain helps single coils sing.

This is a flexible, unashamedly 'coloured' overdrive, that's optimised for single-coil guitars, and it provides a welcome contrast to all the so-called 'transparent' drive pedals out there.

It's slightly more vintage than modern in its tonal character, and a little tweaking is required to get the best from it - but once you've got it dialled in, it's very capable indeed.

Jamie Dickson

Jamie Dickson is Editor-in-Chief of Guitarist magazine, Britain's best-selling and longest-running monthly for guitar players. He started his career at the Daily Telegraph in London, where his first assignment was interviewing blue-eyed soul legend Robert Palmer, going on to become a full-time author on music, writing for benchmark references such as 1001 Albums You Must Hear Before You Die and Dorling Kindersley's How To Play Guitar Step By Step. He joined Guitarist in 2011 and since then it has been his privilege to interview everyone from B.B. King to St. Vincent for Guitarist's readers, while sharing insights into scores of historic guitars, from Rory Gallagher's '61 Strat to the first Martin D-28 ever made.