Guild CE-100D Capri with Bigsby review

Single-cut hollowbody that oozes class

  • £994
  • €1176
  • $1649
TODO alt text

Our Verdict

Guild's version of the ES-175 takes you from jazz to way beyond. With aggressive street pricing, it's hard not to like.


  • Quality build. Classic, high standard feel. Superb playability.


  • Onstage volume/feedback may be an issue.
Image 1 of 4

At just over 413mm 16 inches wide the Capri takes its style cues from Gibson s ES 175

At just over 413mm (16 inches) wide, the Capri takes its style cues from Gibson's ES-175

Guild CE-100D Capri with Bigsby

Image 2 of 4

The Anti Hum Pickups first appeared in 1962 and were smaller than Gibson s humbucker The modern versions are relatively low in output

The 'Anti Hum Pickups' first appeared in 1962, and were smaller than Gibson's humbucker. The modern versions are relatively low in output


Image 3 of 4

The original Guild design B 2 vibrato was conceived by Guild employee Gilbert Diaz and made by Bigsby

The original Guild-design 'B-2' vibrato was conceived by Guild employee Gilbert Diaz, and made by Bigsby


Image 4 of 4

Guild s classic centre raised headstock appeared around 1962 and replaced the previous Gibson like lip top design

Guild's classic 'centre- raised' headstock appeared around 1962, and replaced the previous Gibson-like 'lip top' design


Although a limited number of Guild electrics are made in the USA, with appropriately high prices, the main thrust of its 2013 electric return comes in the form of the Newark St Collection, designed in the USA but made in Korea. With the addition of the 2014 CE-100D Capri with Bigsby reviewed here, the range now sports three Starfires, single- and double-cutaways, the jazzier Venetian cutaway Manhatten and Savoy hollowbodies, the smaller M-75 Aristocrat and a pair of basses.

The hollowbody Capri is effectively a deep-body version of the thinline Starfire III. The 1956 Capri CE-100 was the brand's first sharp-pointed 'Florentine' cutaway guitar, although it retained its jazz-era roots with a single neck pickup (the dual-pickup version appeared in 1959), archtop-like wooden bridge and deep body.

The New Breed

At just over 413mm (16 inches) wide, the Capri takes its style from the ES-175, Gibson's first Florentine cutaway electric, that debuted in 1949. Construction is pretty similar: the all-laminate (maple) build is extremely clean - internally kerfed linings join the top and back to the sides and the top is braced with two chunky, longitudinal bars.

"The all-laminate (maple) build is extremely clean"

There are no figured outer veneers - the top has a dark brown sunburst, the back and sides a deep brown 'mahogany' colouration. Weight isn't excessive, and played seated it's a remarkably comfortable design. The onboard Bigsby isn't a jazz standard, and moves the Starfire design into a more Grestch-y area - including the unpinned wooden foot tune-o-matic-style bridge.

There's a high level of vintage-like detail, however, from the Grover Sta-Tite open-backed tuners on the centre-raised 60s-style headstock, with its 'Chesterfield' inlay to the period correct clear amber control knobs - each with a pin marker.

The pickups here replicate the early-60s introduced 'Anti Hum Pickups', and wouldn't have graced the earliest Capris, but controls are Gibson-standard with a shoulder-placed three-way toggle and individual pickup volume and tone controls.

Feel & Sounds

"Sound-wise, the Capri drops right into the 50s and 60s"

The guitar feels classic; it is set up to a high standard, and plays superbly. Sound-wise, the Capri drops right into the 50s and 60s. These pickups, especially the bridge, sound very much like single coils, and the bright rockabilly attack of the bridge is quite a contrast to the more humbucking-like, jazzier neck.

With both pickups on, you can't help but slip into a duck walk or peel off early Stones, Beatles and Kinks licks. Adding a little grit takes us to Chicago, then on to Eel Pie Island, stopping off at Olympic Studios.

It's drenched in the evocative history of jazz, blues, rock 'n' roll and soul, which still forms the cornerstone of many modern bands. Of course, it's a deep hollowbody, so stage volume may cause problems.

There really is no shortage of semis to choose from, but Guild's heritage is quite a draw: the lesser- known 'new' boys to Gibson and even Epiphone's more stately pasts give a real feel of 60s modernism: the change from the jazz era to new rock 'n' roll and pop and the first golden age of the electric guitar.

We'd happily use the Capri for recording and small ensemble gigs and, with attractive street pricing, you could buy this and the new Bigsby-equipped Guild Starfire V for less than a new basic Gibson ES-335. Food for thought?

The magazine for serious players
Subscribe and save today!

Tech Specs

No. of Frets20
Scale Length (Inches)24.75
HardwareNickel-plated Adjusto- Matic bridge, rosewood base and Guild logo'd licensed Bigsby B60 vibrato, Grover Sta-Tite open-backed tuners
Weight (lb)7.35
Neck Material3-Piece Mahogany/Maple/ Mahogany
Circuitry TypeThree-way toggle pickup selector switch, individual pickup volume and tone controls, master volume
Scale Length (mm)628
Weight (kg)3.4
Fingerboard MaterialBound Rosewood
Guitar Body MaterialMaple Laminate
Pickup TypeTwo Guild 'Anti-Hum' Dual-Coil humbuckers
Body StyleSingle-cutaway hollowbody electric
Available FinishAntigua Burst (as reviewed) only. Gloss polyurethane