MusicRadar Verdict

Excellent reverb that sounds tailor-made for guitar in a small footprint - what's not to like?

Pros

+
Cool range of reverb sounds. Instant dry kill. Volume boosts possible.

Cons

-
Not a thing.

MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.

Featuring two different reverb algorithms (one with longer pre-delay and decay than the other), the Splash mkII has a mix knob to blend in the reverb.

This doubles as a pull switch to kill the dry sound and give a 100 per cent wet signal for a special effect or for use in a parallel effects loop.

Sounds

Decay sets the length of your reverb trail while a volume knob lets you boost by up to 20dB to cut through the mix.

Most interesting is the Excite knob, which adds harmonics and can tweak the sound of the reverb for a sparkly presence.

Trevor Curwen has played guitar for several decades – he's also mimed it on the UK's Top of the Pops. Much of his working life, though, has been spent behind the mixing desk, during which time he has built up a solid collection of the guitars, amps and pedals needed to cover just about any studio session. He writes pedal reviews for Guitarist and has contributed to Total Guitar, MusicRadar and Future Music among others.

“We tried to capture the heart of what a Gibson Custom guitar is, and I think we really have done it”: Epiphone expands and upgrades its flagship Gibson Custom collab with eight stunning vintage-inspired electrics

“It's probably my Behringer Model D monosynth. So simple and obviously cheap, but it’s just so versatile. I’ve used it on basically every track that I’ve created”: 10 producers share the tech they can’t live without

“No one noticed that half the playlist was AI-created, and a few even preferred the AI tracks”: Should today’s music-makers and producers fear AI - or embrace its inevitability?

See more latest