NAMM 2020: Yamaha's NX guitars have been go-to options for electro classical players in the acoustic market since the series' launch back in 2009. Consisting of NCX and NTX models, the latter have ways been about wooing electric players over to the nylon-string cause with sleeker neck and body design. So it's great to see the company paying the line attention this year with a number of additions for a range of budgets.
The NX series is defined by two lines; the NTX and NCX and there's three new models in each for 2020.
The NTX models will be a surprise for players used to traditional classical guitars; they feature slimmer bodies and shallower and narrower profiles.
The NCXs have classical-style neck profiles and fingerboards and target more experienced classical guitarists who demand superior live capabilities. But both lines are packing some seriously impressive technology for the stage.
The NTX3 (£929 / $1700), NCX3 (£939 / $1700), NTX5 (£1785 / £3020), NCX5 (£1785 / $3020) in the new line NX lineup include Yamaha's Atmosfeel preamp and pickup system.
This combines the traditional approach of an undersaddle piezo pickup but with two additional sources; individual string sensors and a mic too. These sensors only capture the mid and low frequencies to help eliminate the brittle piezo 'quack' character all players dread.
Additional Atmosfeel controls include Mic Blend, Treble EQ, and Master Volume.
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The entry-level NTX1 (£422 / $740) and NCX1 (from £422 / $740 depending on wood top option) include the same piezo pickup but without the Atmosfeel sensors. Their preamps have a 3-band equalizers with additional adjustable mid frequencies.
The new NX models will begin shipping in the Spring. For more on the specs across the MX Series visit Yamaha Guitars
Rob is the Reviews Editor for GuitarWorld.com and MusicRadar guitars, so spends most of his waking hours (and beyond) thinking about and trying the latest gear while making sure our reviews team is giving you thorough and honest tests of it. He's worked for guitar mags and sites as a writer and editor for nearly 20 years but still winces at the thought of restringing anything with a Floyd Rose.
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