Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
More
  • NAMM 2026: live updates
  • Mad World
  • The Cure's "happy land"
  • 95k+ free music samples
  1. Artists
  2. Singles And Albums

Michael Schenker picks 10 essential guitar albums

News
By Joe Bosso published 11 December 2012

"Led Zeppelin, Jeff Beck, Black Sabbath and Deep Purple... I got swamped by them"

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Michael Schenker picks 10 essential guitar albums

Michael Schenker picks 10 essential guitar albums

“I am simply fascinated by single notes," says Michael Schenker. The German rock hero and former guitarist for UFO and the Scorpions is pondering what makes a great guitar album. According to Schenker, "it's like a combination lock: if you come up with the right single notes, then you put then in a beautiful, catchy pattern, and they work in that order. It's the same as discovering a series of numbers that unlocks the lock."

Schenker, who was already gigging by age 11, can't recall the first time an album made a huge impression on him from a guitar standpoint. As he puts it, "It all came in one wave. Suddenly, there was Led Zeppelin, Jeff Beck, Black Sabbath and Deep Purple. All at once I got hit by these albums and this incredible guitar playing. I got swamped by them, and I loved it."

The guitarist admits that he might not be up on current players – he quit buying albums years ago, reasoning that his creativity flowed more freely when he concentrated on his own music. "I don’t want to be influenced by what other people are doing," he says. "The value is in ourselves to show our own true colors, and that’s a very individual pursuit. So, after a while, I had to shut everything out and hear my own voice."

Nonetheless, Schenker arrived at 10 selections (listed alphabetically by artist) that he considers essential from a guitar playing standpoint, stressing that "how things impact us depends on the moment and so many other variables. I don’t know if what I was affected by will matter to anybody else, but I would recommend these albums to other guitarists."

Michael Schenker: Temple of Rock - Live in Europe is currently out on CD, DVD, Blu-ray and Ltd Deluxe Edition by inakustik. Schenker’s Temple of Rock UK tour starts 9 April 2013. Book online here.

Page 1 of 11
Page 1 of 11
The Jeff Beck Group - Truth (1968)

The Jeff Beck Group - Truth (1968)

[Sings] “’Rock me baby, rock me all night long!’ [Laughs] That’s absolutely fantastic. Two people who know exactly what to do together in music is very special. The combination of Rod Stewart’s vocals and Jeff Beck’s guitar playing is magical.

“There’s something about Jeff’s way with a guitar, how he pulls the notes out. He gets a lot out of everything he does. Truth is a brilliant record – the songs, Rod’s singing, and especially what Jeff does on guitar. Everything is quality.”

Page 2 of 11
Page 2 of 11
Jeff Beck - Blow By Blow (1975)

Jeff Beck - Blow By Blow (1975)

“Rod Stewart isn't singing anymore, but you have Jeff, and his guitar playing is even better than before. The sound is sweeter, it’s not as dirty as it was on Truth, but you can tell in a second that it’s Jeff Beck.

Overall, I’d say he’s more melodic here, not as rock ‘n’ roll. There’s a lot of different moods and sides to the songs – they’re kind of cheeky.”

Page 3 of 11
Page 3 of 11
Black Sabbath - Paranoid (1970)

Black Sabbath - Paranoid (1970)

“I liked their first one, Black Sabbath, but this one was even better. It’s got all the great songs that everybody knows. Tony Iommi’s guitar sound is so huge and dirty and spooky – it’s like a monster coming at you. It really fits the whole picture of what the band is and what the songs are about.

“Tony isn’t a tremendous lead player, but that’s not important. He has a spirit, a special quality, and that’s worth a million notes.”

Page 4 of 11
Page 4 of 11
Cream - Wheels Of Fire (1968)

Cream - Wheels Of Fire (1968)

“Cream were sensational. Eric Clapton’s guitar playing is always tasteful, but I really like hearing him working with two other fascinating musicians. Cream were a perfect combination of talents.

“The music is bluesy and dark, but it gets into other places like psychedelia and pop. It was all kind of weird, with each guy doing what they wanted, real free-form, but it was very commercial too. White Room is my favorite. Every phrase that Eric plays is right on the money.”

Page 5 of 11
Page 5 of 11
Deep Purple - In Rock (1970)

Deep Purple - In Rock (1970)

“First, I have to talk about the singing. Up till this time, I had never heard a bloke sing that high before. But it's great - I love it!

“And, of course, you’ve got Ritchie Blackmore. This is the record that made me and so many other people take notice of him. Great touch, great note choices and tremendous style. He’s his own guy on In Rock. Also, there’s the way in which he blended the guitar with the organ – the two sounded very right together. Excellent group musicianship.”

Page 6 of 11
Page 6 of 11
Led Zeppelin - Led Zeppelin III (1970)

Led Zeppelin - Led Zeppelin III (1970)

“There’s so many tones and moods to absorb on Zeppelin III. The band explores dynamics completely, going from short outbursts of extremely loud playing to very soft, acoustic passages.

“Of the rock songs, Immigrant Song is utterly fantastic. It energizes me! [Laughs] There’s no guitar solo on the song, but you don’t need one when you have such heaviness. It might be one of the most powerful rock tracks I’ve ever heard.”

Page 7 of 11
Page 7 of 11
Mountain - Climbing! (1970)

Mountain - Climbing! (1970)

"It's a good, solid record, but Theme For An Imagination Western really knocked me out. It’s like spending two days hearing the most beautiful, creative soloing ever.

“The compositions are very well thought-out. Fantastic songwriting. But it’s Leslie West’s playing jumps out at me. His vibrato, his choice of notes, his overall sound – he’s a total master on the guitar.”

Page 8 of 11
Page 8 of 11
Taste - On The Boards (1970)

Taste - On The Boards (1970)

“This band had Rory Gallagher in it, and I think he was a brilliant guitarist. He played tough and hard. There was almost an arrogance there in the way he attacked the guitar. He was quite good.

“What’s Going On is a song I particularly love. Rory's style was very different from what I do, and of course, he played a Stratocaster, and I don’t. His tone was thin, but it had a lot of bite and character.”

Page 9 of 11
Page 9 of 11
Van Halen - Van Halen (1978)

Van Halen - Van Halen (1978)

“I’m not a big consumer of music – or I wasn’t after a certain point in my life – but I couldn’t ignore this one. Eddie Van Halen is unbelievable. You can't deny it.

"Now, I don’t use gimmicks when I play, so I wasn’t aware of tapping, but it seemed as if after this record that everybody was doing it. But forget about that, because what he does with rhythm and melody and vibrato is fantastic. He proved on the first album that he was a marvelous overall guitarist.”

Page 10 of 11
Page 10 of 11
Johnny Winter - Johnny Winter And (1970)

Johnny Winter - Johnny Winter And (1970)

“I like this record because it has Rock And Roll, Hoochie Koo on it. Such dirty, aggressive blues-rock. You hear the grit under his fingers, and the way he rolls around his notes is awesome!

“Johnny Winter is a quality guitarist. He has wonderful taste, feel, and the way he attacks the notes is special. He always keeps you involved and entertained.”

Page 11 of 11
Page 11 of 11
Joe Bosso
Joe Bosso

Joe is a freelance journalist who has, over the past few decades, interviewed hundreds of guitarists for Guitar World, Guitar Player, MusicRadar and Classic Rock. He is also a former editor of Guitar World, contributing writer for Guitar Aficionado and VP of A&R for Island Records. He’s an enthusiastic guitarist, but he’s nowhere near the likes of the people he interviews. Surprisingly, his skills are more suited to the drums. If you need a drummer for your Beatles tribute band, look him up.

Latest in Singles And Albums
Arctic Monkeys in black and white
“We hope the record will make a positive difference”: Arctic Monkeys contribute brand new track to HELP(2) album
 
 
Chuck D and John Densmore
“A meditation on responsibility and legacy”: Chuck D and John Densmore have made a concept album about ageing
 
 
Robert Palmer and Chaka Khan composite image
“That was a totally racist decision”: So why did the original version of Robert Palmer’s Addicted To Love get junked?
 
 
Taylor Swift 2024, Aphex Twin, circa 2000 composite image
“Emotional and soul crushing”: Aphex Twin has more Youtube listeners than Taylor Swift and this is the reason why
 
 
Steve Lukather of Toto performs live on stage at 'Muziekcentrum Vredenburg, Utrecht, Netherlands, 26th September 1982
“All of these guys were behind the glass looking at me like, ‘You better bring it, kid’: Steve Lukather on his first solo for Toto
 
 
Paper Craft Music Audio Equalizer on Beige Background Directly Above View
“It does not have the right to be on the top list”: Sweden bans AI-generated song from its charts
 
 
Latest in News
Hottest music tech gear of NAMM
The best music tech gear of NAMM 2026: Epic polys, acoustic synths, budget samplers, a Behringer Juno and more
 
 
JBL BandBox Trio press image
"A brand new amp and speaker with AI vocal and instrument separation tech": JBL’s new BandBox makes it easier than ever to craft the perfect backing track
 
 
Kurzweil SP8
Kurzweil’s performer-focused SP8 looks like a bomb-proof stage piano that’s also a powerful synth
 
 
Magnatone Slash the Lil’ Viper 8-watt combo amp press image
“Its sound kicks the ass of amps three times its size”: Slash’s latest Magnatone Lil’ Viper 8-watt combo can go toe-to-toe with the big boys
 
 
Abasi Córdoba Stage 7 nylon string guitar press image
“Engineered for modern electric players seeking authentic nylon tine without the traditional limitations of classical instruments”: Abasi’s nylon 7-string opens for pre-orders
 
 
Casio sampler NAMM 2026
40 years after the SK-1, Casio is making waves with another fun-looking sampler
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...