Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Drums Week 25
  • Synths
  • Guitars
  • Guitar Pedals
  • Guitar Amps
  • Keyboards & Pianos
  • Controllers
  • Artist news
  • Drums
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • Santana on Beck
  • Friday, I'm in Love
  • Knopfler's 4-note secret
  • 95k+ free music samples
Recommended reading
Lifeguard's Kai Slater, Isaac Lowenstein and Asher Case
Artists Lifeguard on abstract noise and pop hooks – and the creative epiphanies behind their stellar debut
Daron Malakian of System of a Down performs live in a wide-brimmed had with a custom Flying V with an open-book Gibson headstock.
Artists Daron Malakian on how synth leads the guitar on his new album and why he doesn’t stick to one style
Josh Homme
Bands “Playing in front of people who are stripped down to the bones…” Josh Homme talks Alive In The Catacombs
James Hetfield in 1996
Artists “This is the new rock ’n’ roll Metallica. The riffs are greasier, bluesier, dirtier”: How Metallica changed on Load
Troy Van Leeuwen of Queens of the Stone Age plays a red/orange Gretsch onstage, and is framed by a triangle of yellow-green stagelights.
Artists “It was the most bizarre musical experience”: QOTSA’s Troy Van Leeuwen on playing Paris's Catacombs
disiniblud
Artists “It creates a tone that you can't find in Guitar Center”: Disiniblud on the self-built instruments behind their debut LP
Colin Brittain of Linkin Park performs at the I-Days Festival at Ippodromo Snai La Maura on June 24, 2025 in Milan, Italy
Drummers “I love this band, I love the people and the music": Colin Brittain on life behind the kit with Linkin Park
  1. Artists
  2. Guitarists

In the studio: Letlive

News
By Thea de Gallier ( Total Guitar ) published 20 May 2016

Expect the unexpected on Letlive's latest, says guitarist Jeff Sahyoun

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Introduction

Introduction

If you thought Letlive’s last album, The Blackest Beautiful, tore up the punk rock rulebook, their fourth offering, If I’m The Devil… promises even more surprises. After over a year in the studio - with their dogs in tow - Letlive are finally ready to unleash the results of their hard graft.

“It’s a massive evolution of our sound,” says Jeff. “I probably shouldn’t say this, but on the last record, there are things I feel like we could have done differently. It has beautiful moments, but I wish we’d had more time.

We maintain the same aggression. We just do it in a different way, rather than trying to blow your speakers up!

“To give you an idea of processes, I spent about a month and a half in the studio on The Blackest Beautiful, compared to almost a year on this one, which I’m way more hyped about.”

So what exactly is that evolution going to sound like? Jeff chuckles conspiratorially.

“I don’t wanna give away too much,” he says. “There’s not a lot of screaming; it’s more melodic. The material is sonically and vocally more digestible, but we maintain the same aggression. We just do it in a different way, rather than trying to blow your speakers up!

“We didn’t go in with the intention of making it sound a certain way; we kept experimenting. Great things can happen from simple mistakes, and that happened a lot on this album!”

Page 1 of 3
Page 1 of 3
En-Ableton

En-Ableton

Jeff hit the studio with his trusty Egnater HW45 Handwired amp and a pair of Fenders - a Baja Telecaster, to which he’s added an Fender USA neck, and a new American Elite Telecaster. He also experimented with a Behringer UCG102 Guitar Link, which he used to hook his guitar up directly to Ableton.

It opened up a lot of doors - as well as cliche stuff like reverb and delay, I got to program my own sounds

“I randomly found it online, and it’s so much fun,” he says. “It opened up a lot of doors - as well as cliche stuff like reverb and delay, I got to program my own sounds.”

Jeff’s friend and session guitarist Kenji Chen, who toured with Letlive last year, provided some riffs to give “a different twist” to the sound, but the band isn’t looking for a permanent replacement for guitarist Jean Nascimento, who left last January.

“Jeez, I forgot about him!” laughs Jeff. “His mind was on other things. We’re going to keep it a four-piece now as the vibe on this recording cycle was so smooth.”

Page 2 of 3
Page 2 of 3
Peer feedback

Peer feedback

At the start of the writing process, Jeff hashed out rough ideas for almost three months in a shared studio space, and used other musicians as sounding boards before taking his demos to his bandmates.

You’ve got a banger coming your way!

“There were probably 40 or 50 bands there, so some nights I walked downstairs and knocked on people’s doors and said, ‘Hey, you wanna come upstairs and play music?’ They were like, ‘Who the fuck are you?’” he laughs.

Writing the album was a collaborative effort - Jeff describes how he and vocalist Jason Butler, bassist Ryan Johnson and drummer Loniel Robinson all twist and shape each other’s ideas until they have a finished product they’re happy with.

“One of the best moments was when we finished the demo process. We sat back and listened and said, ‘Holy shit, this is fucking awesome,’” Jeff says. “You’ve got a banger coming your way!”

If I'm The Devil… is released on 10 June 2016 via Epitaph Records.

Page 3 of 3
Page 3 of 3
Categories
Guitars
Thea de Gallier
Stay up to date with the latest gear and tuition. image
Stay up to date with the latest gear and tuition.
Subscribe and save today!
More Info
Read more
Lifeguard's Kai Slater, Isaac Lowenstein and Asher Case
Lifeguard on abstract noise and pop hooks – and the creative epiphanies behind their stellar debut
Daron Malakian of System of a Down performs live in a wide-brimmed had with a custom Flying V with an open-book Gibson headstock.
Daron Malakian on how synth leads the guitar on his new album and why he doesn’t stick to one style
Josh Homme
“Playing in front of people who are stripped down to the bones…” Josh Homme talks Alive In The Catacombs
James Hetfield in 1996
“This is the new rock ’n’ roll Metallica. The riffs are greasier, bluesier, dirtier”: How Metallica changed on Load
Troy Van Leeuwen of Queens of the Stone Age plays a red/orange Gretsch onstage, and is framed by a triangle of yellow-green stagelights.
“It was the most bizarre musical experience”: QOTSA’s Troy Van Leeuwen on playing Paris's Catacombs
disiniblud
“It creates a tone that you can't find in Guitar Center”: Disiniblud on the self-built instruments behind their debut LP
Latest in Guitarists
Gibson Tony Iommi Humbucker: the all-new humbucker, a reissue of its first-ever signature pickup.
Gibson goes back to the beginning with reissue of its first-ever signature pickup for Black Sabbath icon Tony Iommi
Jimi and Billy in 1968
“I was playing the Fender Strat that Jimi Hendrix gave me”: Billy Gibbons on the making of ZZ Top's greatest blues song
Kirk Hammett plays his Mummy ESP onstage with Metallica. In the middle of this comp'd image is the Thinline custom Triplecaster Hammett commissioned then gifted to White. On the right, White plays his Fender Triplecaster with the yellow pickguard.
Kirk Hammett orders up custom version of Jack White’s Triplecaster – and gets one for White, too
John McLaughlin
“I don’t have many guitar players’ albums on my iPhone, but Jeff is there”: John McLaughlin on the magic of Jeff Beck
Dave Mustaine of Megadeth wears a white shirt and trademark Megadeth sweat bands as he plays his signature Gibson V at Tons of Rock Festival 2025.
Megadeth to come to an end – Dave Mustaine announces final album and farewell tour for 2026
A composite image of Steve Vai [left] playing his green PIA Ibanez signature guitar onstage with the Satch/Vai band, and right, the late, great Allan Holdsworth playing an S-style with a cigarette smoking wedged on the strings.
Steve Vai on why Allan Holdsworth – the fusion virtuoso who wrote his own rules – was the GOAT
Latest in News
Gibson Tony Iommi Humbucker: the all-new humbucker, a reissue of its first-ever signature pickup.
Gibson goes back to the beginning with reissue of its first-ever signature pickup for Black Sabbath icon Tony Iommi
Spandau Ballet in the early '80s
“It’s kind of gothic post-punk”: Spandau Ballet drop a lost early track from new box set
Photo of Mike JOYCE and SMITHS and MORRISSEY and Andy ROURKE and Johnny MARR; L-R: Andy Rourke, Mike Joyce (drums), Morrissey, Johnny Marr (playing Gibson ES-335 guitar), performing live on The Tube
“This book truly conveys what it felt like to be a member of the Smiths”: Mike Joyce’s memoir to be published in November
Jack Antonoff attends the 62nd Annual GRAMMY Awards at STAPLES Center on January 26, 2020
“He kind of approaches records like a plumber…”: Bartees Strange on super producer Jack Antonoff
k20
"We asked ourselves, what if we could rebuild the legendary K2000 V.A.S.T. synthesizer, but using today’s technology?": Kurzweil's K2061 and K2088 synths are now shipping
Forwards Festival Barry Can't Swim
Forwards Festival 2025 review: Orbital, Barry Can’t Swim, Olivia Dean, Jorja Smith and more

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...