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Bryan Beller: “With the Aristocrats, there’s a licence to do anything... and we have fun with it”
By Alison Richter published
The Aristocrats bassist and solo artist is on productive form

Samantha Fish: “Best tip for live sound? Turn the amp up!”
By David Mead published
The guitar-slinging diva muses on blues, blizzards and curling irons...

Dougie Payne: “There’s something so elegant about the simplicity of the four-string bass. They’re just beautiful instruments”
By Joel McIver published
The bassist with Scottish rockers Travis on his relationship with the bass and the gig that transformed his band

Me and my guitar: Matt Bigland (Dinosaur Pile-Up)
By Stuart Williams published
The UK rock acolyte on his beloved Gibson Explorer

Molly Tuttle: “I think I became more and more obsessed and in love with playing”
By David Mead published
We talk to the talented acoustic guitarist and songwriter

Zeal & Ardor: “I see [the guitar] as a tool. And I am very cautious of romanticising the tool rather than the action”
By Jonathan Horsley published
We talk to avant-garde Swiss metal enigma Manuel Gagneux

Polyphia vs Covet round table: “I hope that guitar music dies. I want it to die a painful death”
By Michael Astley-Brown published
Meet the six-string anarchists obliterating the guitar rulebook

Opeth’s Mikael Åkerfeldt: “I wanted stuff that would bring tears to the eyes. A different voice”
By Total Guitar published
We check-in with the progressive mastermind as new album In Cauda Venenum lands
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