Squier Classic Vibe Stratocaster '60s review

A '60s-style Strat without the vintage price tag

  • £430
  • €349
  • $579
It's worth noting that build quality on our review Strat was nothing short of excellent

MusicRadar Verdict

Few can top the Classic Vibe when it comes to nailing that authentic Strat mojo.

Pros

  • +

    Excellent build quality. Nice, rounded tones.

Cons

  • -

    Might struggle to cut through.

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So what's the difference between this and the recently reviewed Squier Classic Vibe '50s Strat?

First, there are the finishes: the one you see here is Burgundy Mist, and were Prince a cash-strapped student, we could imagine him saving his purple pennies for this sexy number.

"If you find vintage-voiced Strats too spiky, this fits the bill"

There are a number of other subtle differences, too; most obvious is the rosewood fingerboard, but the two-ply Mint Green scratchplate and skunk-less maple neck are also faithful to Fender's 60s tweaks.

The biggest tonal differences come via the rosewood 'board; where the maple '50s Strat carries a neutral mid character with extra treble, the '60s Strat has a more scooped sound with a deeper low end and more high-end roll-off.

If you find vintage-voiced Strats too spiky, this fits the bill, while the rosewood will also suit players looking for a softer touch.

Adding overdrive accentuates the differences; it's hardly night and day, but you could find it tougher to cut through with the '60s model, although that's nothing a good Tube Screamer won't sort out.

It's worth noting that build quality on our review Strat was nothing short of excellent, with tight neck joints, well-applied finishes and superbly fitted frets, while both vibratos were as smooth as butter, with top-notch tuning stability.

In this price range, you can land more versatile double-cuts from Yamaha, G&L and Fret-King, but few can top the Classic Vibe when it comes to nailing that authentic Strat mojo.

Michael Brown

Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.