Latest about Digital Audio Workstation
Reliq is a “hybrid control surface” that can route and mix audio, sequence tracks and control your DAW
So is there anything it can't do?
Inner Ocean's 4trak brings the Tascam Portastudio into Ableton Live
This new Max for Live device fuses the workflow of cassette tape recorders with the convenience of a modern DAW
How to create analogue tape-style effects with Ableton Live's Delay
You don't need tape machines or expensive plugins to produce a convincing tape-style delay effect
Best EQ plugins: Mix, create, repair, and master with these 13 amazing equalizers
The best EQs you can buy today, for everything from simple frequency tweaks to full-on intelligent AI processing
Serato’s Studio DAW now has built-in stem separation: “This is a big moment for music production,” says Kendrick Lamar producer DJ Khalil
Break mixed audio into separate vocal, drum, bass and melody tracks
Saoirse: “When I got Ableton Push, everything changed. I could get stuff down so quickly that I found myself writing a couple of tracks a day”
A born-to-be radio host and DJ, Saoirse's switch to production came just as naturally. Danny Turner explores her hard-hitting, bass-driven sound
Gold Panda: “I’m no Ableton pro. I can get what I want out of it, but I'm probably doing it the wrong way round”
Derwin Dicker's fourth album, The Work, finds him exploring mental health and self-care through sample-based electronica. We find out more about how it was made
Ableton co-founder Robert Henke on the origins of Ableton Live: “We just thought that our concept of a more performance-focused sequencing system would be interesting for a small group of people”
"Things just very quickly started to become much bigger than we anticipated”
