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“The record company said, ‘It’s too long.’ But we said, ‘We don’t care!’”: How Lynyrd Skynyrd created a legendary epic
By Paul Elliott published
"Ronnie said, 'Just go till I tell you to quit!'"

“I began writing a song in my head about the drudgery of being an astronaut”: The classic song that transformed Elton John into a superstar
By Neil Crossley published
“Unfortunately, people identify it with David Bowie’s Space Oddity”

50 years ago this summer Jean-Michel Jarre began making the album that took electronic music global
By Andy Jones published
'Dum da da da dem. Dum da da da dum.' You know the one…

“There was a feeling that this was the end”: The mystery of The Day Before You Came, Abba’s final enigmatic question mark
By Beth Simpson published
It was their final recording for 35 years

“She sang it once. From a vocal standpoint, no one has that much courage”: How Alanis Morissette made You Oughta Know
By Amit Sharma published
"I thought maybe ten people would hear this song,” she said

"Kurt kissed me and said, 'now I don't have to be the only songwriter!'”: Dave Grohl's evolution as a songwriter
By Neil Crossley published
“I was in a band with one of the greatest songwriters of our generation, so I didn’t really want to rock the boat”

“We could have been as big as Led Zeppelin”: The heavy rock innovators whose drummer was a star before John Bonham
By Andrew Daly published
“There was always friction – but it all worked for the creation of what we had"

Neil Diamond on his classic hits and the art of songwriting
By Paul Elliott published
“There’s no great difference between me and Metallica”

I’m so obsessed with Olivia Rodrigo’s Drop Dead trance bass sound that I remade it in my DAW
By Roland Schmidt published
We create our own transient-heavy synth bass with leanings towards the trance-heavy sounds of the 90s. ‘Drop Dead’ you exclaim? No way! We were Born Slippy!

Oliver Ackermann on the break-stuff tone philosophy behind guitar's most unorthodox pedal brand
By Jonathan Horsley published
Frontman/guitarist of NYC's A Place To Bury Strangers, pedal designer, noise enthusiast, renaissance man... Ackermann explains why all bets are off in his search for new sounds and tones
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