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Spotify and Universal confirm that fan-generated AI remixes and covers are coming
By Beth Simpson published
Fans will be able to create legal AI remixes

Olof Dreijer on mixing vintage synths and modular gear and why Ableton Live is essential to his workflow
By Matt Mullen published
Ever the outlier, beatless meditations and Zulu rap sit side-by-side on ex-The Knife member Olof Dreijer’s debut solo LP Loud Bloom

Harry Styles pays a very personal tribute to Thom Yorke at the Ivor Novello awards
By Beth Simpson published
There were also wins for Jacob Alon, Lola Young and Kae Tempest

Olivia Rodrigo gives the answer to the question that everyone’s been asking about her new single
By Ben Rogerson published
“I think it's like a new perspective that I haven't really had the maturity maybe to express before in earlier albums,” she says

“It’s not dark yet, but it’s gettin’ there…”: The story of Bob Dylan’s ‘90s classic
By Neil Crossley published
Dylan wanted a more cinematic texture and a modern sound – but one that was rooted in old American music.

Quizzy Gillespie: It's MusicRadar's Quiz of the Week #7!
By Daniel Griffiths published
Can you scale our top-ten music news quiz questions and get to number one?

“I just shut up and did whatever Brian told me to do”: The surviving Beach Boys talk about the making of Pet Sounds
By Beth Simpson published
Brian Wilson’s masterpiece turns 60 this week
![[L-R] Khemmis' Phil Pendergast and Ben Hutcherson [inset] A Behringer Super Fuzz](https://cdn.mos.cms.futurecdn.net/iHZMti6MNfGkUXXpDcEADb-320-80.jpg)
Khemmis just made one of the heavy metal records of the year using a $28 plastic fuzz pedal
By Jonathan Horsley published
Phil Pendergast's secret weapon was cheap, effective, and perhaps a lesson that cork-sniffing about gear can be a waste of time – and money
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