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"There's something about it that you just don't get with soft synths": Jasper Tygner on why he loves his Moog Grandmother
By Matt Mullen published
We visited the rising producer and multi-instrumentalist in his South London studio to find out more about the making of debut album Blue

“We're all fragile little creatures. You sit down, lick your wounds and think - is there any point in going through this whole process again?”: We speak to Midge Ure
By Danny Turner published
Midge Ure reflects on fame, resilience and reinvention as he returns with new music and a cinematic live touring experience

“They needed something slow for the romantic scenes with Tom Cruise and Kelly McGillis”: An ’80s classic from Top Gun
By Neil Crossley published
“Giorgio could have farted and I would have sung it!”

“I can’t believe I did that”: Snail Mail’s Lindsey Jordan on her beloved red Strat she sold for just $25
By Beth Simpson published
It was the guitar she learned on

“It feels more like a DIY creator building something weird for themselves”: Beetronix Pollinator Hazee Delay
By Alex Lynham published
A modern throwback to the 'try anything' experimental days of the boutique pedal boom

Mark Morton on the chemistry behind Lamb Of God's twin-guitar groove and what he owes ZZ Top
By Jonathan Horsley published
Morton gets geeky with rhythm and discusses the making of Lamb Of God's pummelling new album, Into Oblivion, and explains why he is proud to be (just) behind the beat

“We were very secretive about the song title. For a long time we called it Burger King!”: The story of ’90s pop banger Barbie Girl
By Paul Elliott published
“We never had the urge to be credible – it’s just not us!”

“Slacker my ass! I was working a $4-an-hour job trying to stay alive”: How the “worst rapper in the world” became an alt-rock icon
By Amit Sharma published
“Slacker my ass! I never had any slack. I was working a $4-an-hour job trying to stay alive”
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