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I've tried all the major DAWs and Ableton Live is my absolute favourite - and it's 25% off for Cyber Monday
By Matt Mullen published
If you're thinking of switching DAWs, today is the day to do it, with savings of more than $150 on Live Suite, Standard and Intro

"No, we do not intend to add four more instrument tracks to Move": Ableton responds to critics of Move's limited track count
By Matt Mullen published
In a video shared this week, Ableton answered questions on Move from the community

How to build a complete mastering chain in Ableton Live using only stock plugins
By Martin Delaney published
There's no need to draw for expensive third-party plugins when you're DIY mastering. Here's how to build a versatile mastering chain using Ableton's ample selection of processors

Slice beats, humanise grooves and work around the 4-track limit: 9 Ableton Move workflow tips
By Si Truss published
We catch up with Ableton to get some tips on how to get the most out of the company's new hardware groovebox

Ableton Move aims to be the perfect hardware sketchpad for Live
By Si Truss published
The battery-powered hardware device can control Live, but also runs its own OS based on Ableton Note

"For some, Move might prove to be a gamechanger": Ableton Move review
By Si Truss published
Ableton's new hardware device is a compact, standalone sketchpad – is this a must-have Live accessory?

3 next-level effect racks in Ableton Live
By Si Truss published
Elevate your sound with a raft of rack effects!

Ableton co-creator Robert Henke: "We are looking at ways to incorporate AI into our workflow in a way that’s inspiring, beneficial and interesting"
By Danny Turner published
Henke talks us through the new Monolake album Studio and weighs in on the future impact of AI on music-making

Clean Bandit on the Rather Be synth sound: "It's just an Ableton preset"
By Matt Mullen published
Clean Bandit's Jack Patterson shows you how to cook up the synth patch from the group's 3x Platinum 2014 hit Rather Be

"I pretty much only use presets": Four Tet on producing one of his biggest tracks in bed on laptop speakers
By Matt Mullen published
“There's no compressors on anything, there's no distortion, there's no effects. It's just a few raw sounds, a few presets and a little bit of EQ”
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