MusicRadar Verdict
A versatile electro with enough clout to hold its own on stage.
Pros
- +
Good midrange punch.
Cons
- -
A lower action out of the box would be welcome.
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The smaller-bodied acoustic has seen a resurgence in recent years, and when we sit down with this concert shape, there's an instant intimacy to the playing experience due to the body's closeness to your own.
This kind of experience shouldn't be overlooked because for some it will provide the vital connection that will make them reconsider their default taste for the larger dreadnoughts and keep them coming back for just one more strum.
The M240 certainly has that effect on us. The look is clean and classic; the right side of minimal to be timeless with Guild's open-gear tuners bringing a vintage touch.
There's no disappointing surprises as we play either - this is a guitar with a midrange punch that's boxy in all the right ways and a real flatpicking bluegrassers delight.
Fingerpicked notes are defined with a sustain that suggests the Archback design really does make a difference. The medium action here certainly doesn't get in the way of that, and in truth we'd prefer a lower action out of the box but it does encourage us to tune down for some DADGAD.
In all the excitement of playing it's easy to forget this is also an electro. The M240-E doesn't exactly scream out the 'E' part of it's name. And that's a good thing because the subtle controls inside the soundhole for Guild's own AP-1 piezo system don't get in the way of the guitar's acoustic aesthetic.
Powered by an active nine-volt battery, the bass and volume controls are simple but player- friendly, and you'll really want that bass to retain the low end presence to balance this model's sound.
A versatile electro with enough clout to hold its own on stage.
Rob is the Reviews Editor for GuitarWorld.com and MusicRadar guitars, so spends most of his waking hours (and beyond) thinking about and trying the latest gear while making sure our reviews team is giving you thorough and honest tests of it. He's worked for guitar mags and sites as a writer and editor for nearly 20 years but still winces at the thought of restringing anything with a Floyd Rose.
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