Fender Paramount PM-3 Standard Triple-0 All-Mahogany review

Fender PM-3 Standard Triple-0 All-Mahogany Fender drops the preamp and goes mahogany

  • £509
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Our Verdict

With the PM-3, Fender is serious about acoustics and it’s reaping rewards for us players.

Pros

  • A cutaway with good playability, organic tonality and unhindered access thanks to the strap button placement.

Cons

  • It’s crying out for an electro option.

When Fender launched the Paramount series last year, it represented a new commitment to winning over players from a company that’s arguably not traditionally a go-to for acoustics. 

With its Standard and Deluxe ranges, a two-year development paid dividends and we were suitably impressed with the PM-2 Deluxe parlor, PM-1 dreadnought and PM-3 000 Standards. Fender was establishing itself in the lower market area with characterful models boasting solid backs and sides, which also came stage-ready with individually voiced preamps for each shape - the result of a Fishman/Fender collaboration. 

The Paramount Standards offered serious spec for the money, and now with its next wave of models, Fender moves from spruce/mahogany to add all-mahogany construction to the range. 

But that’s not the only fundamental change… Curiously, these new Standard models are not equipped with Paramount preamps. The original spruce-topped electros have gone up to £599, but it’s puzzling that these new models don’t have preamp-fitted model options, too. Nevertheless, their look is anything but disappointing. 

The mahogany tops have an indented texture to the grain that looks and feels vintage; a thin ‘open-pore’ satin finish leaves their organic looks unhindered. 

While we’re encountering more guitars in this price territory that aim for vintage Americana-style heritage, these models set a new standard for their price range. 

The narrower 60s-inspired headstock, open gear tuners and Fender logo and motif all set the tone, but the checkerboard purfling for the top, rosette and back strip takes on influence from further back in time and recalls the old Weissenborn Style 4 rope binding. It really gives these models a premium vintage touch, and it’s even more effective set against the dark mahogany than the original launch models. 

With such a strong cosmetic show, we’re just left with a small bugbear: the only feature disrupting the vibe here is the white nut. An ivory tone to match the binding would’ve better served the flow of the design. But the advantage is, it’s real bone. 

Feel and sounds

The PM-3 has a distinct area of appeal. It’s a more delicate sound with less low-end than the recently-reviewed PM-1, from the shallower depth, and it immediately feels like a welcoming home for fingerpicking, especially with the added player accessibility of the body. That satisfying roundness to notes is present and the bass still holds its own well in the balance rather than letting the mids dominate. 

The C-shape neck feels superb here with the lowest action of the trio, and proves itself the friendliest for lead. Which is just as well with a cutaway on offer. Access to the upper frets is even easier thanks to the placement of the strap button on the upper bout, rather than the usual neck heel. The trade-off is that this model feels a little neck-heavy on the strap.

Fender’s latest addition proves it’s on the right track with the Paramount series. If you’re looking around the £500 end of the market, this is a must-try. It feels and sounds well considered, offering its own angle on mahogany appeal. 

We would’ve liked to see the Paramount preamp offered, at least as an option - widening the potential appeal this design deserves - but as it stands, this is a solid-wood acoustic with a quality hard case. 

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Tech Specs

OriginChina
NeckMahogany
Frets20