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Pick up the latest issue of Rhythm and you'll find just about everything you need to know to help you decide whether a career as a session drummer is for you. If you've not been scared off by tales of slaving over the accounts and ever-demanding producers, here's a few tips to help you reach the top.

1. Understand the Click

Dean Butterworth: "It's really important to understand songs and arrangements. Working with a click is a must and being able to listen to a song one or two times write a short form chart and then record your drum track in a couple of takes."

2. Don't just show off your chops

Swiss Chris: "Play for the song, not for yourself. The moment you get the call, do not worry about the fastest licks.....learn the music, the song wins."

3. Use the right tools


Brendan Buckley: "I tend to think of studio gear as tools. For instance, yes, I could probably fix most of the things around my house with just a hammer, a saw, and a Phillips-head screwdriver. But, I could probably do a much better repair job if I use the proper tools for each individual task. Over the years, I've learned information such as: how various drum heads sustain, how different drum-pitches sit in a mix, how the white noise of certain cymbals can destroy your drum sound, how some microphones can bring out strange frequencies from your kit. It's important to gather this knowledge, and put it to use in the studio while listening to a song and deciding which diameter of snare drum to set up, or whether to put a pillow in the bass drum. 
First, picture the overall sound you want. Then, use your knowledge and experience to quickly dial up those sounds."

4. Don't be afraid of trying something different

Ian Thomas: "You can take a 14" Ambassador head and turn it upside-down on top of the snare drum and hit the head upside-down, it gets a really wicked, thick, '70s snare sound. Try it, you won't believe it. It changes the drum instantly into something completely different. The good thing about that is you're going to get one sound out of the drum so when people come to mix they really like that because the snare drum doesn't change. I've played lots of hire kits when I've been on sessions abroad and there have been kits that sounded really awful in the room, you think, 'That's terrible'. Then you hear the playback and it sounds fantastic, so it's always worth remembering to listen to something through playback. How a microphone hears something is different to how our ears hear it in the live room."

5. Play, play, play

Robin Guy: "Get out there and play! Also, don't think that just because you might not be playing your own original songs, that it's not 'cool' - playing in a cover band is most people's first 'session'! It's free advertising for you - people get to see you and you get to meet them!

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