Notes on a musician's self-sabotage
The MusicRadar Team, Tue 15 Apr 2008, 6:56 pm UTC
My friend Chris is a fantastic drummer. When we first met, some 20-odd years ago, I knew he had the goods - an assured right foot on the bass pedal and a Ringo-like sensibility on the toms. Plus, he possessed an exuberant range and an ear for detail that rivaled the pros.
Name a style of music and Chris could make it sing, effortlessly. Rock 'n' roll? He rocks, he rolls. R&B? Groove for days. Jazz? Cool or otherwise, we're talkin' chops up the butt. But heavy metal, particularly the NWOBHM popularized by groups like Judas Priest and Def Leppard, was his specialty, and Chris brought a good-natured swing to his speed that never failed to impress. Why he never made it was something I could never quite figure out.
Actually, that's not really true. As towering a musician as Chris could be, he never mastered the art of people. That self-edit function that most people have tucked in their brains, Chris doesn't have that. You know what I mean: You meet somebody for the first time and you tell yourself not to mention the enormous pimple on the guy's nose? Chris would always say something like "Wow, man, that pimple must hurt like a bitch." Not making friends and alienating people were Chris's side businesses, and business was always brisk. Meanwhile, his full-time gig, that one that paid the bills, was working at a CPA firm. Chris didn't have a head for people, but he knew his numbers. It's no wonder he could switch time signatures as quick as others could underwear.
Like all of us, Chris is getting up there. He turned 38 a few months ago, a milestone that precipitated a phone call in which he informed me that he was thinking of hanging up his sticks for good. "Why should I keep hoping I can make money as a musician?" Chris asked. "I'm too old for this. Everybody I know has either made it or moved on. I go on auditions and there's dudes in their 20s. If I was going to make it, I would have made it by now." After a pep-talk from me, Chris reversed his position and vowed to keep on pounding the skins.
All Chris had ever wanted was to play the drums for money. Fame and real fortune are nice ideas, and Chris fantasized about them long and hard for many years. But making a steady income from his obvious skills should have been within Chris's grasp. Unfortunately, things don't always work out that way.
A week ago, Chris responded to an ad to play drums in a cover band that was going to enjoy a summer residency at the Jersey shore. It seemed like a sweet deal: four nights a week, performing classic rock tunes and a smattering of current hits. The pay was $1,200 a week. "I can do this gig," Chris said, to which I agreed enthusiastically.
I accompanied Chris to the audition. The band members were all in their late 20s and early 30s, and it seemed as though the drummers auditioning were all of equal age. Chris sat down at his drums and breezed through some tunes with his normal accomplished ease. He's got this in the bag, I thought. After the audition was over, the band members asked Chris about his availability. But instead of saying something like "I'm ready when you are," Chris started to list the dates and conditions that he could play. Then he rattled off his ideas for cover tunes and proceeded to trash some of the newer songs the band was intent on performing. Oh, no, I thought. He's doing it again. Driving home, I went off on Chris, telling him in no uncertain terms that he had the job in his hands and blew it, the same way he harpooned every other situation he could have had. "Why don't you tell me the truth?" Chris said. "That I'm too old." All I could do was shake my head.
Last night, Chris called me to tell me the expected news that the band had decided to go with another drummer. "I can't believe they picked somebody over me," Chris fumed. "The guy's 46. He can't possibly rock as good as me!"
Maybe not, Chris. But he knows when to keep his mouth shut and drum. And he'll be doing so for $1,200 a week this summer while you're sitting at your desk. Getting older. Not drumming.
By Joe Bosso
A quick glipse of Led Zep at the 02 on you tube should dispell the myth that age and ability to drive a crowd mental are in any way related. Charisma on the other hand is pretty essential, as is presence...
Well,I'm a 48 year old guitarist just finishing a demo cd of cover songs to give out to local pubs etc in the hope of getting my 3 piece band some work.We're all 40 plus and love to play.All we want to do is play live.So I say what has age got to do with it?
This could be me. Thank God I'm not like your friend. I have a band and I know what to say to people and how to say it. I do think about my age though and ask myself if I should keepo rocking. I even asked Dan Donnegan the same thing.
The answer is I guess I'll keep playing, but I still want to see what Dan has to say and what advice he has.
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evilmags
32 weeks ago.