MusicRadar

• Review

Zildjian's ZHT series is a range of affordable sheet bronze cymbals that features an already impressive array of models. Joining the existing ranks are a pair of Fast Crashes, a Crash/Ride and new pair of Mastersound Hi-Hats.

 

The ZHT range differs from its ZBT and ZXT stablemates in its use of a B12 bronze alloy. The 12 in B12 represents the percentage ratio of tin to copper in the alloy (12 percent tin to 88 percent copper). The alloy that is used in all other Zildjian sheet bronze cymbals is B8 (eight percent tin to 92 percent copper).

 

Such an apparently small increase in tin content really does make a difference, especially when you consider that the tin content, even for high-end cymbals, peaks at 20 percent.

 

Into the mix

 

Sheet bronze cymbals are produced by cutting discs out of rolled sheets of bronze alloy and then working them (a process that involves hammering, lathing, polishing and so on) into cymbals. This is a much cheaper way of manufacturing cymbals than the conventional method of casting each cymbal individually and then hammering it into shape.

 

At this end of the market, the sheet bronze method is frequently used by all of the manufacturers. This is not simply to keep costs down, but also because the relatively straightforward manufacturing process will always produce consistent results.

 

Sonically, sheet bronze cymbals tend to distinguish themselves by being higher in pitch, brighter and quicker to decay than their cast counterparts. Zildjian's use of B12 is clearly an attempt to balance these characteristics with a little more warmth and musicality. The influence of the B12 alloy also extends to the visual appearance, as it gives the cymbals a slightly darker, richer hue.

 

Stacking up

 

The ZHT series is already bursting with cymbals, including seven pairs of hi-hats and mini-hats (the latter having been designed in conjunction with Marco Minnemann), over ten varieties of splashes and crashes, a quartet of chinas and EFXs and even a flat ride, which is extremely rare at this price point.

 

The 13" Mastersound hi-hats are a smaller alternative to an existing pair of ZHT 14" Mastersound hats. Mastersound is the term Zildjian use for hammering the outer edge of the bottom cymbal into a crinkled wave. Both cymbals bear plenty of lathing bands, beneath which sit shallow hammer marks.

 

The hats are tight, bright and not a little cutting. For their small diameter they are surprisingly loud and in use were clearly audible across the muddiest of backlines. The Mastersound edge helps air to escape when closing the hats, giving them a speedy response, while also providing a pleasing definition to stepping. After hearing this 13" pair, we would ideally like to have heard the 14" equivalents alongside them.