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• Review

It may not be the first time that a company has taken a stompbox and turned it into a fully-fledged amp, but when that company is Blackstar you can expect the result to be special and not just another run-of-the-mill formula design. So here's the latest amp from Blackstar, which we're tipping to be the runaway success of 2009.

Based on Blackstar's best-selling valve-powered HT pedal range, the HT5 is a straightforward two-channel design with a shared EQ and a push-pull power stage based, rather unusually, on a single 12BH7 valve.

Normally one output valve means single-ended pure class A, however, the 12BH7 is a twin triode with two separate amplification stages in one envelope, very similar to the ECC82 or 12AU7 with slightly more power on tap.

These two amplification stages make it possible to use the more efficient push-pull configuration that 90 per cent of all valve amps use. While the 12BH7 may not be as well known to guitar players as the more common 12AX7 twin triode, it was used on earlier incarnations of the venerable Ampeg SVT and is quite popular among homebrew hi-fi enthusiasts.

"The price makes it excellent value for money and effectively annihilates all but the most serious competition."

The HT5 is available in three formats: a 1 x 10 semi open-backed combo and a very portable mini-stack called the HT5-S, comprising a head and two 1 x 10 closed back cabinets. The head is available on its own as the HT5-H.

HT5-S mini-stack

All the woodwork is very neatly done and covered in tough black vinyl to a good standard. The overall look of head and speakers is typical Blackstar – classic styling done well – which means that despite the reduced proportions everything has a tough, purposeful appearance.

This is carried over to the internals, with a robust open tray chassis supporting the HT5's electronics. These are carried on two printed circuit boards: one large one containing almost all the HT5's circuitry and a smaller one for the rear panel components.

It's worth pointing out here that both PCBs are through-plated and supported on metal stand-offs, which adds considerably to their long-term reliability and resistance to heat and flexing. The 12AX7 preamplifier valve is mounted directly to the board; however, the 12BH7 output valve is chassis-mounted to improve reliability even further.

This is a very impressive standard of build quality that wouldn't be out of place on an amp costing five times the HT5's price tag and it's typical of the attention to detail we've seen on other Blackstar products, which leaves some other manufacturers looking distinctly lacklustre in comparison.

"A very impressive standard of build quality that wouldn't be out of place on an amp costing five times the price."

The HT5's features are also pretty generous in the value for money stakes, with two foot-switchable channels sharing a three-band EQ and an extra control called Infinite Shape Feature or ISF for short. This clever voicing control started life as a temporary tool to help Blackstar's designers zero in on a particular tone and response, but it turned out to be so popular that it has ended up as a permanent feature on the amplifier.

The HT5 also includes a choice of eight- and 16-ohm loudspeaker outlets, enabling hook-up to a wide range of external speaker cabinets. There's a series FX loop with two preset levels to suit stompbox type pedals and rack units. In addition, on the front panel there's a headphone socket which also doubles as a speaker-emulated line out, with two different EQ settings that can mimic 1 x 12 and 4 x 12 cabinets.

Sounds

Hear Guitarist's Dave Durban demo the Blackstar HT5: