For serious podcasters, creators, streamers, and even musicians who demand solid capture without fuss, a cool 15% off the Shure MV7+ is well worth your attention. I use the MV7+ personally and find it’s the best podcast microphone for the money, so when it goes on sale, the attention is justified.

Thanks to its hybrid USB/XLR connectivity, impressive onboard DSP, and ease of use the MV7+ can cover a lot of ground. The marriage of broadcast-level pedigree (drawing on the legacy of models like the SM7 line) with modern, creator-friendly features: USB-C, XLR, real-time denoiser, Auto-Level gain control, digital pop filter, and a sleek LED touch-panel, cos it’s got to look good on the streams right?

• Grab the Shure MV7+ with a massive 15% off at Amazon

It’s more than a pretty mic, though. In my sessions, the MV7+ has saved me plenty of times, thanks to those features that reduce cleanup time and make everything sound great from the first take. Which, for someone who records spoken word, voice-overs, and streams, is a real win.

What kind of discount can you expect in the Black Friday music deals? With the sale offering 15% off, the MV7+ drops into a tier where you can justify it not just as a “nice to have” but genuinely as a direct upgrade. From typical list pricing of $319 down to $269, it moves it firmly into the interesting value territory and is well worth a dip.

The Shure MV7+ is a mic I trust when I’m recording serious content and need minimal post-fix. If you’re already running a USB or hybrid workflow and your voice is your output, this is definitely one you should consider. The deal won’t last forever, and when it’s gone, the price will bounce back.

I picked it for the top spot in both our podcast mics guide and our guide to the best USB mics, and it earned a deserved four and a half stars out of five in my Shure MV7+ review. Whether you’re looking to start a podcast, upgrade your spoken word capabilities, or add another useful mic to an existing locker, this deal on this versatile Shure mic is well worth your hard-earned cash.

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NAMM 2025: There’s a whole raft of new products on the way from Shure, with the venerable studio brand pushing out the boat in multiple sonic directions.

Shure Nexadyne Dynamic Instrument Microphones

First off the blocks are Shure’s new line of Nexadyne dynamic instrument microphones. There are three new mics in the range, each featuring Shure’s patented Revonic Technology, and each tailored for a specific purpose.

While typical instrument microphones use a single transducer, Shure’s Nexadynes feature two precisely calibrated transducers working together to achieve perfect performance. The result is a sound with natural, authentic clarity that similarly keeps out unwanted noise.

Their combination of acoustic signal processing and exceptional polar pattern linearity delivers a stronger and clearer output with less need for EQ corrections later, Shure claims.

The Nexadyne 2 Dynamic Kick Drum Microphone features a contoured EQ, built-in acoustic protection from stage rumble, and improved high-frequency extension and attack. Designed for perfect placement, its swivel joint is separated from its XLR output to avoid strain on all-important connections.

Nexadyne 5 Dynamic Guitar Amp Microphone features a tiny, full-range dynamic cartridge design for easy placement, either hanging from your amp or secured with the mic clip (supplied) and stand.

Finally. the Nexadyne 6 Tom/Snare Microphone is designed to minimise bleed while delivering stronger focus and flexibility. With a clear high-frequency response, extremely flat mid-range and full low-end it also boasts a unique fixed angle design and a new, smaller drum mount (the A6D, which comes supplied) to reduce movement once the performance starts. The Nexadyne 6 is also available in the three-pack.

All three new mics feature a compact design and a discreet, black finish for unobtrusive deployment and come complete with a storage bag and brass mount adapters.

“Nexadyne Instrument mics bring Shure’s revolutionary Revonic technology to more audio professionals and performers,” said Nick Wood, Senior Director, Global Marketing and Product Management, at Shure. “Nexadyne is about capturing the essence of a performance. Now the same breakthrough dual transducer design that powers our Nexadyne Vocal Microphones is available in three new supercardioid models perfect for backline and instrument applications.”

The new Nexadynes will be available from February starting at £215 including VAT.

Shure SLX-D Quad-Channel Digital Receivers

Joining the new Nexadynes at NAMM comes a new wireless mic solution from Shure.

Building on its popular SLX-D wireless units, the new SLXD4Q+ offers the same quality and reliability, with four channels on board for four simultaneous wireless inputs into a single unit.

And maximising its potential, Shure’s new unit is available in both a standard (SLXD4Q+) and Dante-enabled (SLXD4QDAN+) version.

There’s new and improved 138MHz tuning range capability for the first time, the ability to sum the audio into a single output, XLR, 1/4-inch, and Dante output options, and it all fits in a single, compact rack space. Plus, two units can be cascaded to create an eight-channel SLX-D set up if required.

And through Shure’s ongoing partnership with Yamaha, Shure’s latest wireless product will once again be controllable from compatible Yamaha digital mixers.

"SLX-D Quad Receivers bring everything to the table that users expect from SLX-D: flawless 24-bit audio, streamlined, network-ready setup, and rock-solid RF," said Shure’s Nick Wood. “Now these features are available in a space-saving, four-channel receiver with wide tuning bands that cover the available UHF frequency range. This means a single SLX-D Quad receiver can be deployed throughout an entire country and sync with any band of existing SLX-D transmitters.”

The SLXD4Q+ is available now for £2,289 with the Dante-enabled SLXD4QDAN+ in coming in at £2,949.

Shure SM39 Vocal Performance Headset Microphone

The SM39 is Shure’s latest hands-free mic set-up, allowing complete freedom while always ensuring that vocals and on-stage performance are both delivered entirely unhindered to your audience.

It features a lightweight, low-profile design, a comfortable, secure fit for extended wear, and is all set to integrate seamlessly with Shure’s Axient Digital mic systems and all Shure Wireless Systems.

The SM39 is available now from £379 RRP inc VAT.

Shure KSM11 Wired Cardioid Condenser Vocal Microphone

Finally, there’s a new addition at the top of the Shure live mic tree.

The new KSM11 Wired Cardioid Condenser Vocal Microphone is a new, wired version of the company's famous, top quality wireless vocal mic, offering the extra security that only a solid, physical XLR connection can deliver.

Shure’s famous KSM11 capsule delivers a sound that requires substantially less processing and EQ to produce stage-ready sound.

The new KSM11 wired version (with XLR) comes in at £749 RRP inc VAT and is available now.

This Black Friday, Sweetwater is rolling out exceptional deals on Shure microphones, offering substantial savings on some of the industry's most acclaimed models. Whether you're a seasoned professional or an aspiring producer, these discounts present a prime opportunity to elevate your audio setup with top-tier equipment.

Renowned for its warm, smooth sound and versatility, the Shure SM7B is a staple in both broadcasting and recording studios. Its flat, wide-range frequency response ensures the natural reproduction of both music and speech, making it ideal for vocals, podcasts, and even instrument recording. The built-in air suspension shock isolation and pop filter eliminate mechanical noise and breathiness, delivering pristine audio quality. With a $40 discount, upgrading to this iconic microphone has never been more accessible.

If you’re looking for a less expensive entry into the world of Shure mics, the Shure MV7X - inspired by the SM7B - offers a dynamic microphone experience tailored for podcasters and vocalists. Its XLR output connects seamlessly to professional interfaces, providing rich, natural vocal reproduction. The Voice Isolation Technology focuses on your voice, reducing background noise - a crucial feature for home studios and untreated rooms. At $159, this deal offers an affordable path to professional-grade recordings.

If you’re looking to upgrade, then the Shure KSM8 stands out as the world's first dual-diaphragm dynamic handheld microphone, delivering unparalleled control over proximity effect and off-axis rejection. This innovation results in exceptionally consistent sound quality, regardless of microphone technique. Its flat frequency response captures vocals with remarkable clarity and detail, making it a favourite among live sound engineers and performers. With an $80 discount, investing in this cutting-edge microphone is a compelling choice for professionals seeking superior performance.

Finally, as a go-to mic for live vocal performances, the Shure Beta 58A offers a brightened midrange and bass roll-off, ensuring vocals cut through the mix with clarity. Its super-cardioid pattern provides excellent isolation from other sound sources, reducing feedback and unwanted noise. Built to withstand the rigours of touring, its rugged construction ensures reliability on stage. At $135, this deal provides exceptional value for a microphone trusted by professionals worldwide.

These Black Friday microphone deals at Sweetwater present a unique opportunity to acquire industry-leading Shure mics at unbeatable prices. Whether you're enhancing your studio setup or upgrading your live performance gear, these offers are well worth looking out for.

It's worth noting that Sweetwater have a huge range of offers on right now, with a whopping up to 80% off across guitars, studio gear, drums, and live sound equipment. So, we'd highly recommend checking out the full sale to see what discounted goodies you can find. 

Also, be sure to bookmark our Black Friday music deals page, where you'll find the very best Cyber Weekend sales from across the entire internet. 

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RECORDING WEEK 2024: It may be one of the most successful UK singles of all time, but it turns out that The Human League’s Don’t You Want Me was born in a rather inauspicious place: a toilet.

Speaking to WA Today, Phil Oakey, the band’s lead singer, says that the location was chosen because it had the best acoustics of any area of the Sheffield studio they were recording in.

“At one stage, while I was recording with the headphones on, our producer Martin Rushent sent the engineer to scare me by jumping down from above,” Oakey recalls. Someone kept flushing the toilet behind me as well. Martin had quite a lot of little jokes for the artists and we did record that song in a toilet with quite a cheap microphone, a Shure SM58. But I’m not complaining.”

Don’t You Want Me was released when The Human League were in their first flush (sorry) of commercial success, with its parent album, Dare, going on to sell huge numbers of copies.

The band's Australian tour earlier this year saw them playing the album in its entirety, which necessitated them shipping out synths from Sheffield. “We can’t hire them in because then we’d sound like a cover band,” Oakey says.

Despite The Human League’s longevity, Oakey is modest about the band’s talent and achievements. “We’re not musicians. We never trained,” he says. “We’ve managed to continue as a band by always just feeling lucky about everything we’ve ever done. I have never been the greatest songwriter in this group. I’ve never been the best singer in this group. I’m not a very good frontman or anything, we just do our best and hope that the audience will fill in the rest.”

You can check out our guide to recreating Don’t You Want Me’s monster synth riff here, and the good news is that we won’t make you do it in a toilet.

• Get more recording stories and features at Recording Week 2024 here!

The choice of microphones available to, let’s be honest, people who aren’t emotionally invested in microphones, is mind-boggling these days. You see, not everybody wants to mess around with audio interfaces and a sea of cables and wires. The notion of being able to unpack, plug in and use a mic with the minimum of fuss is massively appealing, and the big mic brands are well aware of this.

Hence why I have the Shure MV6, a new dynamic USB microphone, in for review. The MV6 is aimed squarely at content creators, streamers, and podcasters who want high-quality audio without the complications of more advanced studio-style setups. Essentially, if you’ve ever wanted to up your podcasting microphone game, but haven’t got the stomach for adding audio interfaces, XLR cables and more into your setup, then the MV6 could be the perfect option for you.

It promises user-friendly design and top-tier noise isolation features, meaning it’s ideal for capturing clear vocals in a variety of environments. As part of Shure’s growing line of devices catering to the home studio and streaming markets (including the recent Shure SM4), the MV6 could be a real winner if it gets the basics right, i.e. simplicity, ease of use, and high-quality audio recordings. Let’s find out if it does that.

Shure MV6 review: What is it?

It’s clear when unboxing the MV6 that this isn’t a mic designed for studio snobs or audiophile producers. That’s not a criticism, by the way. The mic itself, for a start, comes with a pretty standard matte black chassis, but is punctuated by pops of lime green to introduce a bit of visual appeal. The theory being, I guess, that the mic will appear on cameras and live-streams, so you may as well have something that looks good.

Up front, the Shure MV6 promises plug-and-play functionality, making it exceptionally easy to use, even for beginners. The ubiquitous USB-C connection on the mic’s bottom allows for easy connection with computers or mobile devices, bypassing the need for a separate audio interface, while a 3.5mm headphone out means you can monitor your sound as you’re streaming or recording. It’s so simple and executed flawlessly.

At the heart of the MV6 is its dynamic capsule, which is ideal for speech and vocals. A cardioid polar pattern, designed to isolate the user's voice while minimising background noise, further adds to its desktop speech credentials. This is especially beneficial for those working in noisy or untreated environments, where controlling ambient sound is difficult. The mic's frequency response (50 Hz to 15 kHz) is optimised for vocal clarity, delivering crisp, focused audio that’s ideal for voice recording but slightly limited for capturing instruments with higher frequency detail. Put simply; if you’re looking for something to record your acoustic guitar then there are better options available to you at a similar price point.

The MV6 also features auto-level mode, which adjusts the microphone's sensitivity based on the distance between the user and the mic. This helps maintain consistent audio levels during dynamic recording sessions or streams, where users might shift around without realising it. Additionally, the built-in digital popper stopper minimises harsh plosive sounds, allowing for smoother vocal recordings without needing a separate pop filter​.

In my opinion, a standout feature of the MV6 is its integration with the Shure MOTIV Mix app. This extends the microphone’s functionality massively and offers users much more control over their audio settings, granting access to a range of audio customization options, such as tone adjustment and noise reduction. Velvety broadcast tones are but a few clicks of the app away at all times.

One of the MOTIV Mix app’s most notable features is auto-levelling, which ensures your audio stays consistent even as you move closer or further away from the mic. This is particularly useful for streamers or podcasters who might not always maintain a consistent distance from the microphone during recording sessions. The app also offers three distinct tone presets - Dark, Natural, and Bright - allowing users to tailor the sound to suit different recording environments or personal preferences, making it much easier to capture professional-sounding audio without the need for external equipment​.

Additionally, the app’s noise reduction feature helps to filter out unwanted background noise, such as fan hums or room reverb, ensuring a cleaner vocal track. While the noise reduction can sometimes be overly aggressive, cutting out subtler details in the recording, it’s an invaluable tool for users working in less-than-ideal recording spaces​.

However, it's worth noting that the microphone itself lacks physical gain or volume controls, meaning all adjustments need to be made within the MOTIV Mix app. While this keeps the design sleek and compact, some users might miss the tactile feedback of manual control knobs​.

Shure MV6 review: Performance & verdict

In real-world testing, I found the Shure MV6 excelled at delivering clean, professional-quality speech recordings. You’d expect it to do this anyway, but with the super-loud fan from my old gaming PC making it sound like lift-off at Cape Canaveral, the MV6 had an additional challenge to overcome. Thankfully, the mic was able to effectively block out that awful din, producing virtually noise-free recordings. Impressive. The auto-levelling feature, which ensures that your voice remains clear and consistent throughout your recording, was also put through its paces and performed as well as you’d expect. These two factors mean Shure’s promise of it being ideal for podcasters, streamers, and even voiceover artists who require a simple but reliable mic for spoken word recording rang true.

The microphone’s real-time denoiser and popper-stopper had a positive impact on both the quality of the captured sound and the ease with which it could be edited afterwards. In comparison to other USB microphones like the veteran Blue Yeti or gamer-focused Razer Seiren, I found the MV6 offered better background noise rejection which, when combined with the usual Shure levels of high-quality audio, makes it a better all-round choice.

What the MV6 lacks is an XLR output. This may or may not be an issue for you. However if you’re looking for more versatility, and the ability to choose between the simplicity of USB and the depth of a traditional XLR connection, then Shure’s own MV7+ might be a better - albeit more expensive - choice. The voice isolation functionality on the MV6, however, is a nifty trick you don’t see at this end of the price spectrum, ensuring your voice is always front and centre. I was also really impressed with the MOTIV Mix app, which went way above and beyond what you’d expect from a complementary app, giving you much deeper control over a variety of parameters which will make you sound the best you possibly can.

Overall, the Shure MV6 is a well-rounded, highly effective microphone that punches well above its price tag in terms of both build quality and performance. Its easy setup, superb noise isolation, and integration with the MOTIV Mix app make it a standout choice for content creators, podcasters, and streamers looking to up their audio game. While it might not satisfy users who prefer deeper, manual control over their settings, the app-based adjustments and auto-levelling offer a simple, intuitive way to capture consistent, high-quality audio. For those needing a step up from cheaper, more basic condenser microphones, the MV6 is an excellent investment​.

Shure MV6 review: Hands-on demos

Brian MacDuff

Wasabi

LAS Curry

Shure MV6 review: Specifications

• Type: Dynamic
• Polar pattern: Cardioid
• Frequency response: 50Hz to 15kHz
• Connection: USB-C
• Weight: 1,287g (inc. stand)
• Contact: Shure

Shure SM4 review: What is it?

In the world of recording microphones, few names command respect as much as Shure. From its industry-standard SM57 and SM58 mics, through to the broadcast and podcast mic royalty that is the SM7b, Shure knows a thing or two about a thing or two. Hence why we were so excited when it announced it had a new mic ready for us to test, namely the Shure SM4.

As a large-diaphragm condenser microphone, designed for home studio users who need pro-grade sound without lots of hassle, the SM4 is an enticing proposition. It features a cardioid polar pattern, rejecting noise from the sides and rear, making it perfect for recording vocals or instruments at home. It also has some unique proprietary tech thanks to the inclusion of an interference shield which acts as a Faraday cage to protect the mic’s capsule from microwave interference.

Think of how many screens, mobile devices and other electronic things you have in your recording space. Each of these has the potential to add unwanted noise and gremlins to your recordings, so the inclusion of a shield to protect against these is so good you wonder why they aren’t present on more mics. Sure, you can faff around with ferrite capsules, but it’s better if the mic just deals with it itself right?

A lot of thought has gone into the overall package too, with small details like the length of the elastic bands on the shock mount tweaked to improve performance. So, potentially, there’s a lot to like here. But how does it measure up in the studio? Let’s take a look.

Shure SM4 review: Performance & verdict

Standard testing procedure for large diaphragm mics means I test each with an acoustic guitar, from multiple angles, and then a speech reading from a variety of different scripts. In each of these tests, the SM4 performed admirably. In purely sonic terms the SM4 shone, capturing rich mid-range frequencies, making it an ideal choice for vocals and acoustic instruments. It picked up plenty in the way of detail without ever being overly harsh, which means I captured a polished sound that didn’t require too much post-production.

The interference shield, a key part of the value proposition, was also surprisingly useful, protecting my recordings from the multitude of other electronic gear I have to hand at any given moment. As someone who often prints out voiceover scripts, for fear of holding a phone too close to the mic, this is a small innovation I can get behind. I can see a situation where a singer might have lyrics on their phone, so the ability to have said phone up close without worrying about it pinging or zapping your take is something you’ll appreciate. The fact it also acts as an internal pop filter is a bonus, saving you from extra accessories or making your setup look too bulky. Vocals come through clean, crisp and present, aligning with Shure’s promise of ‘mix-ready’ sound.

Aesthetically, the SM4 looks quite understated. The matt black finish looks classy, and it’s certainly not an attention-grabber - I say this as a good thing. Shure says it’s put a lot of thought into the design, keeping in mind that often people are filming video at the same time as recording audio. This could be for YouTube videos, or it could be for Teams/Zoom video calls, but the fact it doesn’t dominate visually is a positive thing in my eyes. This same trend for discrete design extends to the shock mount, which has been similarly slimmed down. The elastic bands have also been shorted, reducing the inevitable mid-life sagging that happens to the best of us.

The fact remains, however, that this is a crowded marketplace. In the same price range, alternatives like the Audio Technica AT2020 and Rode NT1A are worthy contenders. The Rode, in particular, is known for its ultra-low self-noise, making it a favourite among home studio users who prioritise noiseless recording environments. However, the SM4’s interference shield and compact shock mount give it a real edge when recording in spaces where interference from electronics is common, or where visual presentation is just as important as sound quality.

Who stands to benefit most from the SM4 then? If you’re a singer-songwriter, podcaster or content creator who needs a microphone that’s easy to set up, resistant to interferences and delivers professional sound with minimal effort, then the Shure SM4 is an excellent choice. Its compact size, internal pop filters and durable options make it a flexible option, particularly in multi-use spaces or for people who need to shoot video alongside their audio recordings.

Shure SM4 review: Hands-on demos

Dealcasters

LAS Curry

Obscure Mics

Shure SM4 review: Specification

• Type: Condenser
• Polar pattern: Cardioid
• Frequency response: 20Hz to 20kHz
• Connection: XLR
• Weight: 463g
• Contact: Shure

Shure MV7+: What is it?

The MV7+ podcasting microphone is the latest addition to Shure’s lineup of audio equipment, tailored specifically for content creators, podcasters and streamers. One of the standout features of the MV7+ is its hybrid connectivity, offering both XLR and USB-C outputs. This dual connectivity allows the microphone to be used in various setups, from professional studios to simple home recording environments, making it incredibly versatile.

The mic’s design also sees significant improvements, including a sleek all-metal form factor, an extended foam windscreen for better plosive protection, and a customisable multicolour LED touch panel for intuitive control over gain, monitoring levels, and mute functions.

Shure has also integrated advanced DSP features into the MV7+, such as real-time denoising and a digital pop filter, which work together to ensure clear and professional-quality audio even in challenging environments. An improved Auto-Level mode adjusts the microphone’s gain based on the user’s distance and volume, optimising audio levels dynamically. It should be said that these features were only available when using the mic in USB-C mode, however. Additionally, the ShurePlus MOTIV app provides extensive control over sound settings, allowing users to fine-tune their audio with ease.

Shure MV7+: Performance and verdict

Compared to competitors like the Audio Technica AT2020USB+ and the Rode PodMic, the Shure MV7+ offers several distinct advantages. The hybrid XLR and USB-C connectivity sets it apart, providing greater flexibility and future-proofing against technological advancements. In terms of build quality, while the AT2020USB+ and PodMic are also well-constructed, the MV7+’s touch panel and customisable LED indicators add a modern touch that enhances user experience and control.

The MV7+ excels in sound isolation and clarity. We started by testing the MV7+ in perhaps its most obvious setting, which is to record voice tracks for a set of voiceover commissions. The additional features you unlock by connecting directly via USB make the MV7+ worth the admission price alone. Auto-level, digital pop filtering and even the option to add reverb to the speech track meant the final recordings were already pretty much ready to use. For speed and simplicity, allied with high-quality audio recordings, the MV7+ is nigh-on as good as it gets in the price bracket.

To test its streaming capabilities, again powered by USB, we used the mic for a series of video calls. One of the features Shure has pushed is the auto-level mode, which adjusts gain and level settings in relation to your proximity to the mic.

In theory, this means that the gentle movements the user makes towards and away from the microphone – often without realising – wouldn’t affect the dynamics of the sound at the other end. We're happy to report this worked flawlessly, with our subjects on the other end of the call reporting a steady, well-balanced sound even in spite of us looking fairly ridiculous while carrying out the tests.

The Shure MV7+ is a formidable choice for podcasters and content creators looking for a high-quality, versatile microphone. While it comes at a slightly more premium price, the investment is justified by its performance and flexibility.

MusicRadar verdict: Finesses the original to deliver one of the most versatile, feature-laden mics for podcasting, streaming and recording.

Shure MV7+: The web says

"The Shure MV7+ carries over what we liked from the original and adds several automated tools that help novices and seasoned podcasters alike get more out of it."
PCMag

Shure MV7+: Hands-on demos

Shure Performance & Production

Podcastage

Brian MacDuff

Ray Ortega

Shure MV7+: Specifications

• KEY FEATURES Podcast and streaming microphone with hybrid USB/XLR outputs and onboard DSP.
• CONTACT: Shure

Shure SM7dB review: What is it?

If you’ve listened to a podcast over the last 10 years, then you’ll likely have heard the work of the Shure SM7B, which has become the go-to podcasting microphone of its era. Building on the legacy of the SM7B, the SM7dB, which we’re looking at today, aims to increase its capabilities by introducing a built-in preamp, offering up to +28dB of gain, making it, in theory, more usable across a variety of different applications.

The SM7dB aims to simplify the recording process by essentially eliminating the need for external preamps. This feature is particularly beneficial for users with audio interfaces that lack sufficient gain, as it ensures optimal sound levels without additional (or more expensive) equipment. Less background hiss at higher levels, and a much cleaner sound available for recording or streaming as a result. Simple.

Very little else has changed; the SM7dB’s cardioid polar pattern still effectively isolates the sound source, minimising background noise and making it ideal for home studios and professional recording environments alike​. The SM7dB also retains the iconic design - other than a slightly stealthier-looking appearance - and sound signature of its predecessor, ensuring the same warm, smooth audio quality that has made the SM7B a staple in studios worldwide.

Whether you're a podcaster looking to enhance the clarity of your voice, a streamer aiming for professional-grade audio, or a musician seeking a reliable microphone for studio recordings, the Shure SM7dB offers a user-friendly and high-quality solution. But how does it work in the real world? Is the addition of a hefty preamp enough to tempt you into upgrading from your original SM7B? Let’s take a look.

Shure SM7dB review: Performance & verdict

Design and build quality

The Shure SM7dB maintains the iconic design of its predecessors with a sleek, matte black finish and rugged construction that - after years of using an SM7B - we’d have no problems recommending. As a dynamic mic, it’s already inherently more robust than a typical condenser, and its rugged exterior gives us extra cause for confidence. Weighing approximately 837g, it still feels substantial in the hand and well-built, ensuring longevity even under rigorous use. The SM7dB also includes a detachable windscreen, which helps reduce plosive sounds and unwanted noise, and did a great job in my testing studio of keeping those nasty pops to a minimum.

Features and connectivity

One of the standout features of the SM7dB is its built-in preamp, which provides up to +28dB of gain. This eliminates the need for external preamps, making it a convenient option for users with interfaces that may lack sufficient gain. It does, however, require +48V phantom power to operate the built-in preamp, but this is standard in most modern audio interfaces so shouldn’t be a cause for concern. The preamp can also be bypassed if you need it to, allowing users to revert to the original SM7B settings, or if you can’t get a 48V signal to it.

Overall performance

The SM7dB genuinely excels in delivering clear, natural sound across a wide frequency range (50 to 20,000 Hz). For speech applications, like podcasts or streaming, there aren’t many that compare when it comes to unlocking that rich, velvety broadcast sound you hear from the professionals. Its cardioid polar pattern performs well at isolating the sound source, minimizing background noise and making it great for less-than-ideal recording spaces.

The microphone’s performance is further enhanced by features like bass roll-off and presence boost, which allow users to tailor the frequency response to suit different recording needs - sometimes nice to head things off at source if you can, rather than fixing everything in post, and these extra controls were welcomed.

Comparison with similar microphones

Compared to other dynamic microphones like the Sennheiser MD 421-II and the Rode Procaster, the SM7dB stands out for its integrated preamp, which simplifies the recording setup by providing sufficient gain without additional equipment. The Sennheiser MD 421-II is known for its versatility and excellent sound reproduction, particularly for instruments, but it lacks the built-in gain boost of the SM7dB.

Likewise, the Rode Procaster, while offering robust build quality and good sound isolation, also does not include a built-in preamp, making the Shure SM7dB a more convenient option for those seeking an all-in-one solution.

Realistically, you’re either looking at a higher-end audio interface or even dedicated mic preamps as your main alternatives here.

Comparison with the Shure SM7B

The elephant in the room comes with the comparison to the original SM7B. Clearly, the primary advantage of the SM7dB over the SM7B is the integrated preamp, which addresses one of the main limitations of the SM7B - its need for a high-gain external preamp to achieve optimal sound levels. This makes the SM7dB more user-friendly and accessible, particularly for podcasters and streamers who may not have access to high-end audio interfaces. The sound signature of the SM7dB remains faithful to the SM7B, ensuring the warm, smooth audio quality that users have come to expect from Shure, so while it is a new model, it’s an evolution rather than a revolution.

Conclusion

The Shure SM7dB is a worthy successor to the SM7B, offering all the benefits of its predecessor with the added convenience of an integrated preamp. Its robust design, excellent sound isolation, and versatile features make it a top choice for professionals in various audio fields. While slightly more expensive, the built-in gain control and ease of setup justify the investment for those seeking high-quality, hassle-free recording solutions. Whether you're upgrading from the SM7B or exploring professional microphones for the first time, the SM7dB is a compelling option that stands out in its category.

Shure SM7dB review: Hands-on demos

Podcastage

Sean Divine

Senpai Gaming

Shure SM7dB review: Specification

• Type: Dynamic
• Frequency range: 20Hz to 20kHz
• Polar pattern: Cardioid
• Connectivity: XLR
• Boost: +18dB or +28dB
• Controls: Bass rolloff or mid-range emphasis
• Contact: Shure

Shure SE425 Pro review: What is it?

In the world of in-ear monitoring, the undisputed holy grail is a pair of custom moulded IEMs which, as the name suggests, are tailor-made using individual ear impressions, created to fit the unique shape of each ear. This not only offers a high level of comfort but also gives an unparalleled level of isolation (keeping outside noise out) due to the airtight seal formed around the ear canal. Of course, anything custom-made inevitably comes with a premium price tag. This is where Shure steps in with its (mostly) more sensibly priced off-the-shelf options.

As one of the leading microphone manufacturers in the world, Shure knows a thing or two about audio. Not just when it comes to capturing sound, but monitoring it too. The American company boasts an ever-evolving range of universal fit in-ear monitoring solutions to cater to musicians and audiophiles of every level and indeed budget.

The SE425 Pro set we have for review is Shure’s dual-driver model, containing two ‘high definition’ drivers in each earpiece, which not only adds more punch than a single driver but more clarity across a wide frequency range.

The 425s sit bang in the middle of the current range which also includes two single-driver models (SE112-GR and 215 Pro), a triple-driver option (SE535 Pro) and the flagship quad-drivers (SE846 Gen 2). Prices start at $59/£65 for the entry-level 112s and rise to a whopping $899/£959 for the high-end 846s. The 425s have a guide price of $269/£265 on Shure’s website but can be found for a little less if you shop around. They fit firmly into what we would categorise as budget in-ear monitors. 

It’s worth noting that the ‘Pro’ moniker relates to the audio-only cable that is supplied with the monitors. There used to be a hands-free cable option, but no longer available for the 425s.

Shure SE425 Pro review: §

In the box you get two clear plastic dual-driver ear pieces, a matching 64” (162cm) detachable 3.5mm jack cable plus 3.5 to 6.3mm (1/4”) adaptor and a semi-rigid carry case.

In addition, there is a generous selection of interchangeable plastic and foam sleeves, making it easy to find the most secure and comfortable fit. These include three sizes of black comply memory-foam tips, three sizes of rubber Soft Flex sleeves, one pair of yellow foam sleeves and one pair of Triple flex sleeves (the kind that you find on most earplugs).

As mentioned earlier, creating a good seal is imperative not only to the isolation levels but also the actual sound quality you’ll achieve with the monitors. We initially found that the factory-fitted medium foam sleeves were doing the job well but upon working through the myriad materials, realised that the larger size blocked more outside noise and enhanced the bass frequencies noticeably.

On the other hand, we found the soft flex sleeves to not only provide less bass but actually lessen the sound quality overall. This could perhaps be different from ear to ear but in the absence of custom moulds, we’ll take the comply tips every time. The SE425’s noise attenuation is listed as “up to 37db” which offers plenty of isolation, allowing monitoring at lower levels. This will be welcome news to live musicians (especially drummers, like myself) who want to subdue the natural stage sound and allow their in-ear mix to shine without having to ramp up the volume.

In terms of frequency response, the 425s are rated between 20hz and 19khz, which is a good start considering that’s essentially the limit of human hearing. The reality is that even though they do nearly achieve this spectrum, there is a lack of oomph in the sub-bass ranges. That said, for the size and considering the price, it’s nothing to be sniffed at. For dual-drivers, we found they did the job satisfactorily, delivering a good balance, if not a little mid-centric.

For us, where the Shure IEMs excel is in terms of comfort, particularly when compared to some other generic fit options. The compact and low-profile ear pieces sit flush in the ear and don’t feel like they need pushing back in every two minutes. The Wireform cable (which rotates 360 degrees) bends neatly behind the ear and stays firmly in place. The build quality is of a very high standard and feels built to last, too.

The detachable earpieces not only make it easier to potentially replace individual components, but also means they can be connected to Shure’s new True Wireless Bluetooth adaptors, so you can use them as everyday listening headphones too. These can be purchased separately for $/£189.

FInally, we found the constantly changing line-up of Shure’s range to be a little unclear - particularly as each of the models look near-identical, if not for some interesting colour options. And on that note, it’s a shame that the SE425s aren’t available in some of those other colours.

Shure SE425 Pro review: Hands-on demos

Gear4Music

ReadlAudioReviews

Shure SE425 Pro review: Specification

• Drivers: Two
• Attenuation: Up to 37db
• Frequency range: 20hz to 19khz
• Included: Detachable 3.5mm clear cable (64”) with wireform fit, black foam sleeves (S/M/L), soft flex sleeves (S/M/L), yellow foam sleeves, triple flex sleeves, premium carrying case, 3.5 to 6.3mm adapter
• Contact: Shure

Lewitt LCT 440 Pure review: What is it?

We see a lot of microphones here at MusicRadar. From inexpensive USB mics to high-end studio grail mics, we’re good at spotting when greatness lands on our desk. So it was with great excitement that a package containing one of home studio YouTube’s perennial favourites, the Lewitt LCT 440 Pure, landed ready for us to put through its paces.

If you’re unfamiliar, the Lewitt brand is relatively - in the world of microphones - quite young. Founded in Austria in 2009, it has built a reputation for creating high-quality, beautifully designed recording microphones that offer an alternative to familiar brands like Shure and Neumann. 

Today we're looking specifically at the Lewitt LCT 440 Pure, which is its mid-range condenser aimed at a range of studio applications including vocals, speech and acoustic instruments, although Lewitt claims it has more than enough ability to be classed as a proper studio all-rounder. 

The LCT 440 Pure features a hefty 1” condenser capsule - which is a thing of beauty, if you’re into that kind of thing - and a fixed cardioid pickup pattern which may or may not be a benefit, depending on how you plan on using it. Inside the box you’ll get the mic and a hefty-looking shock mount, along with a pop filter, windshield and a handy carry case. It’s all very premium in its visual aesthetic and in the rigidity of the mic’s build. But how does the LCT 440 perform? Let’s take a look. 

Lewitt LCT 440 Pure review: Performance & verdict

The first thing that hits you when you unpack the LCT 440 Pure from its box - and what a box, by the way - is the heft of it. This is a heavy microphone, more so than I was expecting, giving me immediate confidence that this was on the premium side of mid-range. Cast in stealthy die-cast zinc, it happily avoids the fingerprint magnet pitfalls of so much other black consumer technology. Branding on the front of the mic is subtle, instead letting the glorious 1” true condenser capsule take centre stage. As a large condenser mic, in name and form, the 440 Pure requires phantom power, but then benefits from the higher voltage produced when picking up a signal, creating a superior signal-to-noise ratio than you’d find with a typical small diaphragm condenser. 

In use, this translates to improved loudness from recorded signals, which means you don’t need to drive a preamp as hard to get decent results, in turn meaning a lower noise floor - around 7dBA in this case - from your recordings. For acoustic guitars, for example, this allowed us to focus on the intricacies of the sound rather than the low-level hiss you might find from a small diaphragm equivalent. 

Loading up Live and opening the frequency spectrum plugin, we could see a nice presence lift around 12kHz, which gave our acoustic guitar a nice breathy openness in the top end, however, we did find the low end was prone to becoming slightly boomy if left unchecked. While this can be fixed fairly easily, it would have been nice to be able to remedy the problem at source.

If we’re honest, therein lies the LCT 440 Pure’s possible only negative point. This is undeniably a simple mic. Featuring only one pickup pattern, and no onboard controls, this is ideally suited to single users recording single things. You can use it to record acoustic instruments, or individual speakers and vocalists, and it will blow you away but it’s not the type of mic you’ll rely on for table-reads or podcasts with multiple speakers. If that’s what you’re looking for, the 440’s sister, the 441 Flex might be a better option as this has eight patterns you can choose from. We'd also like to have seen an onboard pad or filter to help tame some of those low-end frequencies, but this is a minor gripe.

What was impressive was the accessory haul you get with your new mic. The shock mount features a neat screw-in connection, which gave us confidence it’d withstand the occasional (accidental) kick of a mic stand, while the pop filter and windshield both combine neat design with genuine functionality. The magnetic snap of the pop filter, for example, made us smile. This is a well-made package, of that there is no doubt.

Essentially, what we’ve got with the Lewitt LCT 440 Pure is an excellently designed, premium mic with the ability to take sounds from a variety of sources and reproduce them to a high standard. Like, a really high standard. My battered old parlour acoustic, which has always been my litmus test for recording condenser mics, has honestly never sounded so good. And for that, I can only say good things about the LCT 440 Pure.

Lewitt LCT 440 Pure review: Hands-on demos

Podcastage

Dark Corner Studios

AudioHaze

Lewitt LCT 440 Pure review: Specification

• Type: Condenser
• Polar pattern: Cardioid
• Frequency range: 20Hz to 20kHz
• Self-noise: 7 dB (A)
• Max. SPL: 140dBSPL
• Connection: XLR
• Size: 138x52x36mm
• Weight: 310g
• Accessories: Pop shield, shock mount, windshield, carry case
• Contact: Lewitt

Whether you’re recording interviews for your latest podcast, need a fantastic live vocal mic or you’re tracking guitars in the studio, you’ll need a decent mic or two for the job. For all these applications and more it’s hard to look much further than the best Shure microphones.

Since 1925, this great American brand has been behind everything from Presidential addresses to conference calls, and from music festivals to YouTube reaction videos. In this article we’ve rounded up our favourite Shure microphones with some buying advice to help you choose the right mic for your needs. From straightforward vocal mics to feature-filled podcast options, there’s a Shure mic to suit almost any application. Let’s take a look.

Best Shure microphones: Our top picks

Realistically, it’s hard to offer recommendations in a list like this. Shure is a name which has built up decades of heritage and history, and its products are recognised as among the best and most reliable in the business.

To think of it another way; if there were a couple of microphones we’d happily take to any recording session, or any live performance, and be safe in the knowledge they’d perform, it would be the Shure SM58 and SM57. Cliched, perhaps, but for good reason. You simply won’t find a better balance of price, performance and reliability anywhere in the market.

Best Shure microphones: Product guide

If you’ve watched a vlog, or listened to a podcast, in the last 10 years, then the chances are you’ve already experienced the aural delights of the Shure SM7B. An update to this all-time classic vocal microphone, the Shure SM7dB keeps all of the professional broadcast sheen of the original, whilst adding an active preamp for extra headroom.

To achieve its superb sound, the SM7dB has built-in frequency response filters, which do a great job at boosting or attenuating certain frequencies, meaning they don’t require major surgery once you get them into your computer. Its cardioid polar pattern also effectively cuts off-axis noise, meaning it can focus all its power solely on capturing your voice.

You will, however, require an audio interface or mixer to use the SM7B, as it only has an XLR connection. However, for the ultimate in top-tier vocal performance, it’s hard to recommend anything else.

Read our full Shure SM7dB review

If you were to enter any live music venue, there’s more than a high chance you’ll be able to find at least one Shure SM58 vocal microphone. From the largest stadiums, to the grimiest underground clubs, the SM58 has been trusted to deliver exceptional vocal-forward performances for decades.

Some users rate the slightly tweaked frequency response, designed to trim some of the mids while accentuating desirable upper and lower frequencies. Some users marvel at its relative low cost, which makes it a viable option for anybody at any budget. For most, however, it’s the fact that - barring acts of god - you’re going to have a very difficult time trying to break one of these. You’ll struggle to find anyone who regrets owning at least one Shure SM58.

Read our full Shure SM58 review

Recording instruments, in our experience, is more an art form than a science. Different instruments, from the snares, toms and kicks of an acoustic drum set through to the force of a raging valve amplifier, will yield different results and there is no right answer. However, one thing that rings true for any producer, is the place a trusty Shure SM57 will hold in their heart. Equally at home recording on a live stage as it is in a studio, the SM57 laughs in the face of excessive volume, and delivers the most consistent, usable results you’ll get in any setting.

Taking guitar amps as an example; a typical setup will employ two (or more) mics. A condenser, to pick up the nuance and unique character of an amp, and then almost always an SM57 pressed up against the grille to capture the quiet-to-loud dynamics of the performance. It’s a potent combo, and one that has been used on countless records over the years.

As with its vocal-focused brother, the SM58, you’ll struggle to find a pro studio anywhere that doesn’t rely on the veteran SM57 for recording instruments.

Read our full Shure SM57 review

Turning its attention to the growing content creation market, and the vlogs, podcasts and streaming setups popping up in bedrooms and home studios the world over, Shure launched the MV7. This is arguably the best microphone for people who don’t want to learn about microphones, as in, they want to plug something in and for it to sound great. In less capable hands, this could have led to a dumbed-down, stripped back approach but with the MV7, Shure has another classic on its hands.

Sure, there are ways in which they’ve simplified the overall user-experience, from handy presets in the accompanying app through to the on-microphone touch controls. But underneath that layer of help there’s still a high quality, superb sounding dynamic microphone that will meet the standard of any user in a variety of applications. We like the option of using USB or XLR to record - naturally you’ll need USB to access the MOTIV app - while the build quality and durability is the same as we’ve come to expect from Shure.

Read our full Shure MV7 review

The Shure SH55 is known to many as the ‘Elvis’ mic, on account of its association with The King himself. It’s easy to see why it’s proven popular over the years, offering vocalists a trusted tool which delivers on the vocal front while also looking extremely cool. The cardioid polar pattern means it focuses directly on the sound coming from the performer’s mouth, while rejecting noise outside that axis, making it ideal for live performance over studio work.

The SH55 is not, it must be said, a toy. It is solidly built, and weighs over 600g so is better suited to being housed on a stand, but with that weight comes a degree of heft in the results it provides.

Best Shure microphones: Buying advice

As with any microphone for recording, you’ll need to have an idea of what you’re trying to achieve before you go shelling out any cash. Like any brand, Shure has microphones which you could call versatile, and it has mics which you’d more accurately call specialist, and knowing what you want to achieve up front will help narrow down your search.

For singers and vocal recording, the Shure SM58 is one of the oldest names on the mic block, famed for its near-indestructibility as much as its performance. This is a mic which is designed with live performance in mind, from its tight cardioid pattern which cuts out unwanted noise, to its relentless reliability. Alternatively, for capturing the high-intensity blast of a guitar amp at full tilt, on stage or in the studio, the Shure SM57 is still the absolute sweet spot of price and performance.

Like with many mic and recording brands, there’s a definite growth trend in the area of content creation - be that podcasting, streaming or vlogs - which has resulted in the resurgence of the Shure SM7B, along with the future-facing Shure MV7 package which includes direct app control to ensure the best possible recorded output - both mics are great podcasting mic choices.

What we’ve included in this guide are the absolute classics in the Shure stable. These mics should be your go-to options for most serious music and content creation applications. But delve deeper into the Shure catalogue and you’ll find fantastic microphones for a wide range of budgets and specialisms, from recording drums to recording quick interviews using a smartphone or tablet.

The good news is that when you’re buying a Shure, you can realistically expect a level of quality and durability from your purchase. Shure mics have a well-earned reputation for being, in some parts of the range, the industry standard, chosen by professionals for their suitability to some of the most demanding situations.

Related buyer's guides

• Best budget USB microphones: start creating for less
• Best cheap microphones: budget mics for studio and stage
• Best mic stands: our top picks
• Best budget podcasting microphones: wallet-friendly podcast mics

Think of the top five names in microphones and Shure's right up there with the very best. Founded almost 100 years ago, its mics have been used by everyone from presidents to popstars. Now it's your turn to bag a bargain with this early-Black Friday music deal - shop now and save up to 28% off selectShure microphones at Amazon.

Shure has launched some truly landmark products over those nearly 100 years. There's the 55 Unidyne, used by statesmen as diverse as Harry S. Truman, Fidel Castro and Martin Luther King Jr. Its slightly smaller cousin, the 55S, is nicknamed the 'Elvis mic' because whenever the King was pictured singing on stage in the '50s he's clutching this Shure classic. 

In the 1960s Shure outdid itself with the launch of the SM57 and the very similar SM58, mics that have gone on to become two of the most popular studio and live performance microphones ever. Want to know who's used them? It would be quicker to list who hasn't.

The SM7, launched in the 1970s, became a firm favourite of Michael Jackson's and James Hetfield's and is prized for its ability to make even untreated recording spaces sound amazing. A later iteration, the SM7B, was the inspiration for 2020's MV7, a small, inexpensive podcast mic that's taken that market by storm.

What's the secret of Shure's success? Technical innovation plays a big role, but Shure has also always produced mics that sound incredible and are robust to the point of being almost bombproof. Importantly, Shure mics have always been affordable too.

Now, with this Amazon promotion, what was affordable has become an absolute steal. Whether you're a singer, guitarist, podcaster or content creator, hurry because we don't know how much longer these discounts will be honoured.

Shure SE846 Pro review: What is it?

Famous for the ubiquitous SM58 dynamic microphone that’s been practically a legal requirement centre-stage at live music venues for decades, Shure are one of the true pro audio heavyweights. The Shure SE846 Pro is their current flagship professional earphone with balanced armature drivers, aimed at music professionals and discerning domestic users alike - and it carries a price tag to match.

Unsurprisingly for such a premium-priced product, you get a lot of bits and bobs in the box. The packaging is suitably high-end, with a glossy, printed user guide, a Shure-branded polishing cloth plus a nifty little zip-up travel case. This ‘fit kit’ contains a spare detachable audio cable, soft flex sleeves and foam sleeves in three different sizes, a set of triple-flange sleeves, a 1/4” adapter, plus a tool kit for changing the nozzle inserts in order to adapt the frequency response.

The clear plastic earbud casing means that the sophisticated internal componentry is on display, giving them a purposeful, high-tech look, and the cables detach via a sturdy push-click fitting. Once attached, they are able to swivel through a full 360 degrees so that the ideal position can be achieved with a bit of fiddling about. The cable itself is stiff enough at the earbud end to retain its shape as you fold it over and behind the ear. As it stands, there’s no Bluetooth functionality with these, although this can be added by purchasing the BT2 Bluetooth cable or the True Wireless Secure Fit Adapter as optional extras.

If you’re one of those people that takes a while to - literally - get your head around a new pair of in-ear monitors, these won’t be the easiest to begin with. It’s not immediately obvious how to wear them, especially if you’re not that used to earbuds generally. There are no discernible L/R markings on the clear casing - we had to look at the picture in the user guide to figure out the correct orientation in the ear, not to mention which was the right bud and which was the left. (Clue: the red one goes in the right ear!)

Shure SE846 Pro review: Performance & verdict

Once we’d figured out which bud goes in which ear and which way up the cable exits need to be oriented (they need to be pointing at your temples), we found these to be actually pretty comfortable with the default pads. Even if they weren’t, there’s no shortage of alternative inserts available to swap and try - this kind of trial and error-based exploration period is, after all, part and parcel of any earphone experience, regardless of the level of sophistication - but the fact that we were able to get on so well with the default offering shows that Shure have done their homework on this aspect.

Under the hood you’ll find four high-definition drivers, splitting the audible frequency range into four distinct bands, one of which is a low-pass filter designed to deliver true subwoofer performance. According to Shure, this prevents the output of the low-frequency drivers interfering with the mid and high-frequency drivers, resulting in unparalleled performance across the range.

For tinkerers who are brave enough to partially dismantle and reassemble an expensive pair of earbuds for the sake of experimentation, there are three interchangeable filter inserts supplied - one fitted as standard for a balanced response, one for extra warmth and another for extra brightness - should you find the default sound not quite up to your expectations. Of the three, we favoured the default balanced option over the other two - although the warmth filter did sound luxuriously warm and smooth, the treble-boosting option proved a tad unforgiving for our tastes.

The SE846’s feature unusually low impedance for a professional product - only 9Ω - so you really don’t need to drive these hard at all. In our tests with a 2019 MacBook Pro, setting the volume control around a third of the way up was enough to deliver ample levels of loudness.

So the big question is, do they sound good enough to warrant the extra outlay over and above other IEM’s costing hundreds less? Perceived value is always a contentious issue with high-end in-ears - they rarely appear visually distinct from much cheaper alternatives, so the air of luxury is usually not so apparent. This makes the elevated price point for the SE846’s immediately harder to justify.

Sound-wise though, the SE846’s are truly superb, to the point where it’s difficult to find source material to do them justice. Sound isolation is excellent, but the really good news is the crystal-clear reproduction across the board with the standard nozzle assembly fitted. The immediate impression is a broadly flat response - firmly inserted with the required proper seal into the ear canal, there’s no woolly, over-pronounced bass, the low end instead coming across tight and punchy with just the right amount of presence in the subs. Mids are as clear and present as the danger in a Tom Clancy novel, and the highs are refined and detailed without being at all harsh. The soundstage is appropriately deep and wide for a set of pro-level IEM’s, making for a highly enjoyable listening experience whatever your musical tastes. The clarity is outstanding and we found them equally as satisfying listening to classical and jazz as we did EDM and mainstream pop.

Those four high-def drivers cope admirably with any genre, revealing the rise and fall of the damper pedal in Ludovico Einaudi’s ‘Le Onde’. The individual instrument parts in Donald Fagen’s I.G.Y. have never been more discernible to our ears. Green Day’s ‘American Idiot’ has never sounded more ballsy and Pendulum’s ‘The Island Part II’ got us one step closer to understanding how Rob Swire pulled off those insane programming tricks.

The SE846 Pros proved especially revealing when monitoring our own tracks however, highlighting their appeal as a studio monitoring solution - trial mixes produced on these translated particularly well to other systems, which is a big tick in the box if you’re a music producer.

If you’re committing to this level of investment, you need a product you can trust, and the SE846 Pros deliver in spades in this regard, providing a beautifully balanced sound with excellent low-frequency performance and customisable high-mid response. With the reassurance and reputation for durability that comes with the Shure name, these make for a comfortable, well-built and superb-sounding investment that your ears will Shurely thank you for.

Shure SE846 Pro review: Hands-on demos

Brandon Taylor 

Unbox Therapy 

Austin Burcham 

Shure SE846 Pro review: Specifications

• Type: In-ear monitor
• Driver type: Quadruple high-definition balanced armature
• Impedance: 9Ω
• Sensitivity: 114dB/mW
• Frequency Response: 15Hz - 20kHz
• Cords: 1.2m + 1.6m, detachable
• Weight: 12g (excluding cable)
• Contact: Shure

Shure SE215 Pro review: What are they?

Shure has been one of the biggest names in live music gear for as long as we can remember. If you play, sing or go to live gigs, you’ve probably heard the sound of a Shure vocal microphone or guitar mic - and while Shure is primarily a microphone manufacturer, they also create some next-level studio headphones and in-ear monitors for us all to enjoy. If an in-ear monitoring system is something you’ve been considering and you’re on a budget, then the Shure SE215 Pros should be very near the top of your list (in fact, they top our list of the best budget in-ear monitors!).

So, in-ear monitors then. Not to be confused with the humble earphone, a great pair of in-ears will do an awful lot to help you sound and play better. There are many different manufacturers all vying for your attention and hard-earned cash, and many different price points for you to explore when looking for a pair of in-ear monitors. Obviously if you pay more, you get more - but do you really need more? That answer is probably no.

Out of the box, the SE215 Pros look like a pretty smart, lower profile in-ear. The construction is pretty basic, with either clear, black or blue plastic ‘phones on offer. They’re nothing groundbreaking, but perfectly adequate for something that is going to sit in your ear for a few hours at a time. The box also contains some added extras - a zippered carrying case, cleaning/fitting tool and various different sizes of foam and silicone sleeves to ensure you get a comfortable and tight fit.

The cable is detachable, to allow for easier packaging and to avoid any damage or over-bending when wrapping them up after a performance or rehearsal. If your cable does get damaged - as can happen with earphones and headphones of all price brackets - then the cable is easily replaceable. No stress, huh?

Speaking of the cable, it’s just your standard 3.5mm mini jack connector - making it ideal for most applications. Lined with wire, the cable stays pretty straight during use, without excessive tangling or twisting. A rubber sleeve and extra wire reinforcement makes sure the cable doesn’t move around too much, and that the fit around your ears is sturdy. Having cable wrapping around the tops of your ears can feel a little alien at first - particularly if you’re brand new to in-ears - but we had forgotten it was there within the first 10 to 15 minutes of use.

The SE215 Pro’s main focus lies within the earpiece itself: a single, high-definition driver. Considering a vast majority of in-ear monitors contain at least two (sometimes more) drivers, this is remarkable in itself - but what is more remarkable is the soundstage that this single driver creates.

Shure SE215 Pro review: Performance & Verdict

In all of the musical scenarios we’ve been able to put the SE215 Pros through - heavy touring with rock bands, lounge jazz gigs and studio recording sessions, to name a few - they sounded smooth and capable, and not noticeably pokey or tinny. Like any pair of earphones or IEM’s, a little distortion was noted in some slightly more manic areas or when the volume was boosted just that little bit too high, but the SE215 Pro came out from that barrage of testing largely unscathed.

One of the issues we always run into with in-ear monitors is the issue of ambient noise cancellation and sound bleed. The SE215 Pros offer some really useful and effective isolation from the sounds around you. This is thanks to the shape and size of the casing itself, which forms a fairly decent seal when sat in your ear. Especially when playing live, you want a decent amount of separation between your own in-ear mix and what’s going on elsewhere, without feeling like you’re playing on your own. The Shure’s fit in that middle ground very well, with small but reassuring ambient levels of sound passing through.

Now, it’s absolutely worth bearing in mind that the SE215 Pros are not high-end in-ear monitors. As an entry to the world of IEM’s they’re a very respectable choice, but they won’t quite capture the spacious ambience of a multi-driver setup, or the wide frequency range of more expensive in-ears. That being said, what do you expect for under £/$100? We can’t think of another pair of budget in-ear monitors that combine audio and build quality with reputation and comfort like Shure does with the SE215 Pros. For those who are newbies to the world of IEM’s - take a good look at these. We don’t think you’ll be disappointed.

Shure SE215 Pro review: Hands-on demos

Kay Dubz 

Alejandro Sifuentes

lachlanlikesathing

Shure SE215 Pro review: Specifications

• Connectivity: Wired
• Drivers: One
• Sensitivity: 107dB
• Earbuds: Foam and silicone included
• Case: Yes - soft bag
• Frequency range: 22-17,500 Hz
• Contact: Shure