Yamaha CPX1200II

Boasting a full 15mm extra width, the CPX has much more of a traditional acoustic guitar body size than its stablemate the APX1200II.

The thin gloss finish is particularly noticeable in this translucent black colour with the soundboard's grain being discernible to the eye and touch.

High-gloss black many not be everyone's idea of an acoustic but the mahogany trimmings give the guitar a very stylish look, augmented by the diamond-shaped mahogany fretboard inlays and large ebony tuner buttons. Close inspection reveals high standards of fretwork, build quality, finish and presentation.


Unplugged, the CPX is the full-fat version of the APX. The overall timbre has more 'meat' to it and the lower registers have real fullness.

No doubt due to its body size, the CPX offers a good deal of sustain and responds to dynamics articulately - it offers a well-rounded, versatile sound. Plugged in, the CPX produces a warm tone: bright 'snap' and 'zing' are very present but softer, mellower tones are easy to dial in.

In short, the CPX it a show-stealing instrument that appears to have it all: good looks, high standards of craftsmanship and a versatile, capable amplified and acoustic output.

MusicRadar Rating

4.5 / 5 stars

Classy looks; build quality; both acoustic and amplified tone.




Great looks, great tone, well-priced - what's not to like?

Country of Origin


Available Finish

Translucent black (as reviewed), vintage sunburst finish

Back Material

Solid rosewood

Body Style

Mini jumbo cutaway

Fingerboard Material



Die-cast enclosed

Left Handed Model Available


Neck Material


No. of Frets




Nut Material


Scale Length (mm)


Sides Material

Solid rosewood

Weight (kg)



ART undersaddle pickup, System 62 SRT mic-modelling preamp with three-band EQ, three SRT mic presets, focus/wide select, pickup/mic blend rotary, AFR (Anti-Feedback Reduction), chromatic tuner

Review Policy
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.

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