Taylor GSMC

It's all about tone: Taylor proudly reaffirms its commitment to the good ol' acoustic guitar, with a new body style and a new sound.

Taylor's Grand Symphony (GS) guitar sonically bridges the gap between its hugely popular grand auditoriums and its dreadnoughts and jumbos. Conceptualised by Bob Taylor and developed by senior designers Ed Granero and Larry Breedlove (co-founder of Breedlove Guitars), the GS body takes the grand auditorium theme to the next logical step.

Slightly wider in lower bout and with a wider, higher waist than the GA, its soundbox shape and increased proportions are designed to add depth and power, without compromising midrange and treble clarity.

Overview

The basic GS Series comprises four identically constructed, purely acoustic models with virtually identical cosmetics, offering four different tonewood combinations. You may notice the rosewood/spruce review model we were supplied with has the Expression System option, but we're only discussing the guitar itself here.

Taylor has purposely separated the exclusively non-cutaway GS Series from its established, numerically coded range in order to distance them from the 'cutaway electro' theme that permeates the standard catalogue.

With generally understated appointments and one set price for all models, the idea is that you choose a GS purely for its specific tonal qualities, rather than the fact that one has fancier inlays or other features.

The neck's matt finish fails to bring out the depth of colour we see in the body panels, and so it might look better left natural. There's also a thin black perimeter seam around the back and the sides, flanking the body binding, and a plain black centre strip down the back.

This particular model also slipped through the quality control net with a couple of really rough frets.

Sounds

The GS musters pleasant woodiness in the bass, but it's generally not as warmhearted in the lower registers. It has a gritty, snappy core mid-range sound and a penetrating top end.

If you favour crisp clarity over lushness, then this is the guitar for you. However, the scope of this instrument is impressive, proving equally sonorous no matter where on the neck you're playing.

This guitar embodies just the right 'note-spitting' dynamics to suit fast country-style fingerpicking, or some real Robert Johnson-style blues.

There's nothing else exactly like the GS out there, although Lowden offers similar tonewood choices. By today's standards, the price seems fair, and you'd have to commission a local luthier to get something equivalent for less.

MusicRadar Rating

4 / 5 stars
Pros

Aesthetically balanced proportions. Tight, snappy tone - ideal for fast fingerpicking.

Cons

Sound isn't as adaptable as the GSRS. The neck's finish.

Verdict

The GS has depth, warmth, power, balance and sweetness in equal quantities.

Country of Origin

USA

Available Finish

Natural gloss body and matt-satin neck

Back Material

Mahogany

Bolt-on Neck

No

Bridge

55.5mm

Bridge Material

Ebony

Case Included

Yes

Cutaway

No

Fingerboard Binding

Ivoroid

Fingerboard Material

Ebony

Fretless

No

Guitar Body Material

Mahogany

Includes Bag

No

Inlays

Abalone Dots

Left Handed Model Available

Yes

Max Rim Depth

113

Neck Material

Mahogany

No. of Frets

20

No of Strings

6

Options

You can order any GS model with the Expression System (£350 extra), but there's no cutaway option available

Pickguard

No

Scale Length (mm)

648

Sides Material

Mahogany

Weight (kg)

2

Weight (lb)

4.4

Max Body Width

413

Review Policy
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.