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Lou first embraced the noise with the Velvet Underground during their White Light/White Heat period, but it was his ’75 album Metal Machine Music that really saw him pushing feedback manipulation to new extremes.
The record features four extended drone pieces, each comprised entirely of guitar feedback created by feeding differently tuned guitars through reverb pedals and then placing them in front of powerful amps.
Perhaps unsurprisingly, the album received a critical slating upon its initial release. It’s undoubtedly proved an influential record though - an important foundation in the noise rock genre and a grand statement within Reed’s post-Velvets career.