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Even the most tried-and-tested methods can be uprooted by new technology. Case in point: valve-amp modelling is getting scarily good.
MATT: “Amazingly, this record is recorded with a Kemper Profiling Amp plugged directly into Pro Tools, so there’s no mic, no cab and the Vengeance Falls tone is just the Kemper...
"It’s a profile of an Andy Sneap tone out of his 5150 amp that Colin Richardson mixed – and I consider them the best metal guys for tones.”
COREY: “So, if any tube-head elitist compliments our record they can shove it up their ass!”
MATT: “For us, if it works on a record and it works at a 90,000-person festival and people are flipping out – then it works!”