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A weird title for a song that doesn’t really go anywhere. Bobby Keys turns in a bit of sinewy sax, but the real point of interest for So Divine (Alladin Story) is Richards’ main guitar riff, which is a half-speed yet otherwise damn-near-duplicate of Paint It, Black.
Coming from any other guitarist, such note-Xeroxing would be a case for the lawyers. But who’s going to tell Keef he can’t borrow from himself?
Hang on, didn't John Fogerty have a problem with that once?