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The spirit of The Seeds, one of the first true garage rock bands, informs the sinewy, twisty guitar lines and gnashing snare attack on Stop Stop.
The chorus, accented by Danger Mouse's vibraphone, is almost childlike in its shout-out appeal. But as ear candy, it does the trick, and it leaves no saccharine aftertaste.
Auerbach pulls out another doozy of a solo, this one on slide. Fed through a Leslie, the sound buzzes like a mosquito, and the manner in which the guitarist alternates between moods and textures - there's a bit of George Harrison in his phrasing - is spellbinding.