“Their manager, Johnny Z, said to me, ‘I’ve got this band, Anthrax. They like the sounds you get – would you like to work with them?’ That’s what started it. We went to Florida and took over a small studio for about a month. We also went down to Chris Blackwell’s studio, Compass Point, in the Bahamas, and did some work there.
“It was a tough record for me; I’d never recorded anything quite like it. I wasn’t sure of what they were looking for initially. And it was a challenge to figure out ways to record heavy guitars with heavy drums – it was just a different process. The guys had a totally different attitude, a totally different way of thinking, and I remember it being contentious during the mixing. As I said, it took me a while to figure out what they were looking for, but once I did, it all turned out incredibly well.
“One of the bizarre things about the record: There’s a song called I’m The Man [issued on an EP of the same name], and that became a hit in Europe. That was the one song where everybody switched instruments. I even played piano on it. It was a joke – we did it as a giggle. Somebody picked up on it, and I think it went Top 10 in the UK. Again, you can never predict what the public is going to want.”