Sport & Auto
- About Future
- Digital Future
- Cookies Policy
- Terms & Conditions
- Investor Relations
- Contact Future
© James Andanson/Sygma/Corbis
“My memory of that track is as clear as a bell, I wrote that song early in the morning. Bernard [Edwards, bass] showed up at the studio a little later, around an hour after the rest of the band.
"He walked in and said, ‘What the hell is that they’re doing?’ He walked in and started playing, I screamed over the drums, ‘Walk, walk.’ The bass line he was playing originally sounded like he was copying my part, that is what we would do.
"Once I shouted he came up with that bass line and it was perfect. I screamed out to the engineer, ‘Make it red!’ and we recorded it in one take. There are a lot of tracks in my life that have been one take recordings, like Original Sin by INXS, after we did that take the drum head broke and we couldn’t get the groove again so we kept the first one.
"That comes from the world where black musicians had much smaller budgets than white musicians. Let’s Dance was made like a black record. We’d go in there, spend eight hours and leave.”