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“This is a piece of music that I wrote right after Carter [Chickenfoot co-manager] had passed away. I had it on the back burner but hadn’t really thought about it. When I was in the middle of demos for the album, I found that I suddenly kept coming back to it. I told myself, ‘You’ve really got to call it something… ‘ But what?
“I think I was trying to disassociate myself from how the song came about, but I kept thinking there was something cool about it. I started to think about the book You Can’t Go Home Again [by Thomas Wolfe], and I re-channeled my feelings about the song more towards that kind of idea – how difficult it is, once you’ve grown, to return to your home base and see it and experience it in the same way.
“Once I got to this point, I was free to explore the melody, and that was a really good day. It was so clear, so articulate, the way it came to me. I played the melody one time, and there it was. It was a real musical moment that I had to keep.
“One of the things I talked to Mike Fraser about on this song was that I wanted to use guitars as background singers. The melody I'm playing is one thing, but there are these answer guitars that really deliver and explain the message of the lead singer. It’s crystallized in those little bits. There’s a lot of rhythm information that’s going on that is gorgeous to listen to.
“It’s a reflective song in that you’re telling yourself you can’t go back, yet you’re always going back. We face the future by examining the past, but we also take that next step by saying, ‘We must go forward.’”