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© William James Warren/Science Faction/Corbis
“Obviously, it was a part of the Crash Landing album. We just felt that anything that had been tinkered with should be heard in its original form. This is what Jimi was actually doing with the players, and it’s really good. There was never any need for any of that overdubbing that had gone on in ’75.
“Anybody who hears this will recognize it as a precursor of Freedom, but it still stands on its own. Jimi’s playing is great, the time signatures are unique, and Billy Cox, in one of his first sessions, is terrific. You can kind of get a sense for some of the things Billy would be doing going forward. He cemented the bottom in a way that Noel didn’t.
“There is a keyboard player on the track – somebody’s on B3 – but we don’t know who it was. They cut it all live. The session was tough for Jimi because he was struggling to get the guy to play what he wanted. A more sympathetic player like Steve Winwood might have been able to take it our further, but this is what Jimi had on this particular day.”