Sport & Auto
- About Future
- Digital Future
- Cookies Policy
- Terms & Conditions
- Investor Relations
- Contact Future
“We wrote the song in Dublin, which was kind of my idea. Frankie Goes To Hollywood was really popular at the time, and we wanted to get some of that in there. Trevor Horn had produced their record, and it sounded amazing.
“We tried to get elements The Fixx, as well – that ‘prrring!’, all the guitar stuff. But we failed miserably [laughs], because I was using Gallien-Krueger on the clean setting.
“For some reason, the whole thing took three years. We started it in Dublin, recorded it in Holland, Joe did a vocal in Paris – but it was kind of sucking. [laughs] After all that work, Mutt said, ‘We’ll keep the vocal and rewrite the song.’
“So I sat with Mutt and Steve and we worked on a demo. I played through the Gallien-Krueger, Steve went through a Rockman, and we were both using Mutt’s guitars. I think I had either a Charvel or a Larrivee. Even though it was a demo, we were cranked up. Coming through the speakers, I got a bit of feedback, just barely, and it ended up on the record.” [laughs]