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“The forward motion stimulated by Eliminator carried over onto Afterburner and wound up with Recycler, and as had been the case, it rested on the backbone of timing and tuning.
“This was probably the last hardcore synth-styled release before we began drifting back to the roots. By this time, we were actually looking forward to the studio experience. Whatever was state of the art, it was there on the floor at Ardent Recording. They were always first to embrace it and make it available to their clients.
“My Head’s In Mississippi is representative of where we were headed, back to the boogie and groove. That song’s in the current lineup, too – we played it last night, and we’ll play it tonight.”