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“It’s so hard to pick a favorite Police record, but I think that Stewart Copeland really shines on this one. A lot of it sounds very jam-like. You can tell that the songs are composed mainly to the basslines. Too Much Information, Demolition Man, One World (No Three), Hungry For You – it’s all coming from the bass.
“One World is a song I like to play along to. Each and every little fill that Stewart does, I can play it all from beginning to end. It’s just so strong and memorable. And the funny thing is, Stewart even told me, ‘Oh, that was a jam session. We just wound up using it.’ It’s one of those great moments where it all worked. There was spontaneity there, but there was also creativity and taste.
“The uniqueness and character in Stewart’s drumming is equal to so many great composers, because he is a composer. Nobody sounds like him. He has a spirit, a sound, a point of view.”