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© Brian Hineline/Retna Ltd./Corbis
“The choir in the beginning is great. I’m very excited about how this song turned out. We wanted the foundation to be a metal band’s approach to classical orchestration.
“Matt’s vocal is more like a lead violin part, and when my guitar chugs underneath the riff, it’s almost like what low brass would do. We layered each element very carefully, and the result is one of the more cinematic tracks on the record.
“The solo was a fun one. I don’t do a lot of wah stuff, so I had a great time playing around with that. The wah gave it an added dimension and colors, some new life."