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“I had known Jackson for many years. I met him when he was only 18 or so. We used to run around and jam around together. I always thought he was absolutely brilliant, as everyone did.
“Running On Empty came about because Jackson wanted The Section to open his show. We played for about 40 minutes before he came on. When we first started rehearsing, he was actually a little unsure about me. I had to find my place, but there were no role models. He already had David Lindley, who would play these beautiful lines behind Jackson. I had to figure out a way to play so I could contribute.
“I tried a bunch of different things, but Jackson was getting nervous. Finally, I had to take him aside and say, ‘Listen, I’m working on a bunch of things, and I’m going to refine what I do. I’ll have stuff that will work and will help your songs.’ Sometimes it takes a little time.
“Jackson was a big R&B and soul fan, which is where I was coming from. A song like Love Needs A Heart, to me, that’s an R&B song, straight up and down. I started to use what I thought would work, coming from what I thought Steve Cropper or Cornell Dupree would do, or maybe Marvin Tarplin from The Miracles – those were my role models. Nobody else in the band was doing that, so I was able to find my niche.”