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“Their manager, Johnny Z, contacted me, so I went to New York to see them. I had worked with John Bush on an Armored Saint record, and now he was singing with the band. We decided to make a different-sounding Anthrax record. Gene Simmons was a big fan of it, and he talked to me about maybe working with KISS. I heard the album that KISS wound up making, and it sounded like the Anthrax record.
“I didn’t want the guitar sound to be tucked into the mix. I wanted each guitar amp to sound like you plugged right into a stereo speaker. The rhythm guitar was always very dry and in your face. I started hearing this same sound soon after on other people’s records.
“The kind of metal that the band was making wasn’t mainstream at this point. They were harder and more uncompromising. They were in a bit of a transitional phase on this record. Everybody played beautifully; they were all awesome – A-class players. John Bush did an amazing job, but you know, Joey Belladonna had his fans. It’s hard when a band changes singers. A lot of the early fans say, ‘Hey, that’s not the band we love.’ So the record didn’t do as well as people might have hoped.
“I like the songs. See, I don’t make records for other people; I make records for one person: me. I try to imagine myself at 16 listening to a record, and that’s who I try to please.”