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"A bus is a channel on which you gather similar sounds. We put all percussions channels on one bus, all bass sounds on another, the same with hi hats, claps and so on.
"Then we master the whole groups at once. In this case we gathered 66 channels in 15 buses. Then once we’re done with fine-tuning the buses, we limit and compress the whole track, so that nothing stands out where it shouldn’t and the sound is clear.
"In this track we were working with Waves’ L3 UltraMaximizer, UAD Percision Maximizer and Sonnox’s Oxford Limiter. Right now there is a lot of passion for loudness on the scene. We’re against that, as we still prefer the clear sound and dynamic to distorted loudness."