The DAW market is always changing. We're constantly hearing about new features and workflow enhancements that will change our music making experiences for the better, and you can't move for updates that promise 'a new look and feel'.
The past year, though, has felt a little different, with many of the changes seeming rather more fundamental. In the past 12 months, we've been offered new ways to pay for our DAWs in the form of subscription/membership schemes, and we've seen point release updates that almost feel like whole new versions (and, some might say, vice versa...)
It was an interesting time, then, to ask you to vote for the best DAW in the world today, which is precisely what more than 10,000 of you did (thanks for that, by the way). Of course, as we've said before, the best DAW for you is the one that you feel most comfortable using and, ultimately, helps you to get the best results, but the countdown ahead of you should at least give you a good idea of which PC and Mac applications your fellow MusicRadar users recommend most highly.
Here, then, are the results of our search for 2015's best music production software...
Ardour is often cited as one of the best pieces of Linux music making software, but it's actually an excellent piece of software full stop.
Version 4 delivered technical improvements, new features and over a thousand bug fixes. What's more, as well as running on GNU/Linux and Mac OS X, you can now use Ardour on Windows, though there's no support for this version at this time.
If you're a new user, the fact that JACK is no longer required might make setting up that bit easier, while the user interface has been thoroughly overhauled.
All of which means that Ardour is becoming increasingly accessible, and with subscriptions starting from as little as $1 a month, it's also eminently affordable.
19. Sony Creative Software Acid
It may no longer be a leading light in the DAW world - its interface is looking seriously dated - but when it was launched in 1998, its automatic audio timestretching and pitch shifting marked Acid out as revolutionary.
These features remain Acid’s key strengths, though it should be noted that the program can now handle MIDI, too (and, as of version 7, video). It may not be the flashiest app on this list, but Acid remains fast, capable and easy to use. If you want a cheaper taste of it, try Acid Music Studio 10, which was released in 2014.
FULL REVIEW: Sony Creative Software Acid Pro 7
18. Tracktion Software Corporation Tracktion
Tracktion was originally developed by UK designer/programmer Julian Storer, but was then taken on by Mackie. Development seemed to have stalled in the late noughties, but in 2013, it was announced that the software was back in the hands of its original owners.
Since then, it's become a viable music making proposition once again, with version 5 and Melodyne integration arriving in 2014.
Since then, we've had version 6, with one of the main highlights being the implementation of Z-Plane's Elastique Pro timestretch algorithm, which is used to power the new Warp Time audio editing features. Tracktion 6 also offers tape-style start/stop effect handles for audio clips, dedicated submix and automation tracks, a comprehensive tagging editor, an upgraded plugin management system, a new "super comp" audio compiling tool and more.
If you're looking for a traditional-style sequencing application that ships with a massive bundle of content then Tracktion probably won't appeal, but if other DAWs are leaving you scratching your head, this one might just make sense.
FULL REVIEW: Tracktion Software Corporation Tracktion 6
17. Apple GarageBand
You’ll have to search long and hard to find a more beginner-friendly DAW than this one, which ships with all new Macs and can now be download for free, too.
Non-musicians can simply sequence the supplied audio loops, but a decent collection of software instruments comes included too, as does multitrack recording functionality and a good selection of virtual guitar amps and stompboxes.
GarageBand feels more like a 'mini Logic' than ever these days. Drummer is great for automatically generating beats, Smart Controls make for more pleasant editing of sounds, and you can even use the Logic Remote iPad app to control the software.
What's more, version 10.1 adds Camel Audio Alchemy-powered synth sounds, new loops and the option to export your songs directly to Apple Music Connect.
FIND OUT MORE: Apple GarageBand
16. Steinberg Nuendo
Although it's primarily designed as a post production tool, some of you have told us that you also use Steinberg's highest-end application as a good old DAW.
Version 7 adds improvements for those undertaking audio-to-picture, game audio and film/TV post production work, showing where the focus of the software really lies.
We suspect that the vast majority of musicians will be more than satisfied by the features offered by Cubase - to which Nuendo has a lot of similarities - but if you're intrigued to find out what an extra grand gets you, take the free trial for a spin.
FIND OUT MORE: Steinberg Nuendo 7
If you've ever worked with an old-school tracker, Renoise will look instantly familiar. Music is made in grid-based patterns, and these patterns can be arranged to create songs. It might look and sound like quite a techy workflow, but for a lot of people, it works.
Of course, this kind of interface isn't going to appeal to everyone, but if you do buy into the tracker philosophy, you'll find that Renoise implements it superbly. It comes with its own audio processors and supports plugins; it's OS X, Windows and Linux-compatible; and you can ReWire it to other DAWs.
Version 3 has brought a completely rebuilt GUI and a whole load of new features; it is, without doubt, the most powerful tracker in existence.
If you want to insert some of Renoise's features into a different DAW - specifically, its Sampler and Phrase Editor - check out the new Redux plugin.
FULL REVIEW: Renoise 3.0
14. MOTU Digital Performer
Previously a Mac-only DAW, Digital Performer is now on Windows, too. As such, its hardcore fanbase may now expand to include a new swathe of in-the-know PC users.
Version 9 looks, in some ways, like an attempt to reach out to a different kind of audience, with the new MX4 MultiSynth coming with an EDM soundbank. There are also five new effect plugins, and some significant workflow and feature enhancements.
Make no mistake: this is a first-class piece of music making software that stands comparison with any of its rivals. Getting to know it might prove to be a fairly intense experience, but once you’re over the hump, you’ll be richly rewarded.
FULL REVIEW: MOTU Digital Performer 8
(Review is of a previous version)
13. MuTools MuLab
MuLab is one of those DAWs that operates slightly under the radar: lots of people will never have heard of it, but its users are passionate about it.
If you want to do the basics - record/edit MIDI and audio, mix, use plug-ins etc - and like the idea of a simple, no-clutter interface, MuLab is certainly worth trying. Those who are prepared to dig a bit deeper will also find a powerful modular sound system under the hood.
Version 6 was released earlier in 2014, bringing a fresh look and feel and a good number of new features. A free version is available.
FIND OUT MORE: MuTools MuLab
12. Magix Samplitude Pro
You’ll probably know Magix from its entry-level Music Maker and Music Studio applications, but it also produces this beast of a DAW. It started life as an audio editor, but is now a fully-fledged music production suite that offers some superb effects, an excellent object-based editing system and sophisticated features such as Melodyne-style Elastic Audio.
As of Samplitude Pro X, the software also added 64-bit support, a docking system that allows you to customise the interface, spectral editing, surround sound mixing and a whole lot more. The Independence sampler workstation is also built in.
The X2 version heralded the arrival of even more workflow enhancements and plugins, demonstrating that Magix is making a concerted effort to keep pace with its rivals.
FIND OUT MORE: Magix Samplitude Pro X
11. Bitwig Studio
The DAW market is a difficult one to break into. Convincing long-term users to quit their current software in favour of yours is always going to be difficult, and newbies will inevitably be drawn to the best-known applications.
Bitwig Studio, though, seems to have taken a foothold. Given its look and feel, comparisons with Ableton Live are inevitable, but this new kid on the block has got some fresh tricks up its sleeve. The Clip and Arrange views integrate beautifully, and the modulation and automation systems are genuinely innovative.
What's more, the new stuff keeps coming. Version 1.2 includes group tracks, which enable you to manage multiple parts of a mix at once, a pop-up browser for all devices that's designed to speed up your workflow, and a histogram display on various effects devices. You can set up project templates and per-project controller mappings, and there's support for the new Multidimensional Polyphonic Expression (MPE) standard that's designed to help you to get the most out of controllers such as the ROLI Seaboard and Roger Linn LinnStrument.
It looks like Bitwig is in this for the long haul, so give it try and decide whether you want to be part of the journey.
FULL REVIEW: Bitwig Studio
10. Acoustica Mixcraft Pro Studio
When PC users ask us if it’s possible to get a GarageBand-style application for their operating system, we tend to point them in the direction of Mixcraft.
Through its six major updates, Mixcraft has evolved from a basic starter app to a genuinely impressive DAW, taking on features normally associated with costlier alternatives. The latest version (7) represents a particularly big step forward, ushering in 64-bit compatibility, an upgraded interface, advanced audio functions such as warping, timestretching and quantisation, better support for control surfaces and more.
If you're already a Mixcraft user, upgrading is a no-brainer. If you're not, you really ought to give the demo a try.
FULL REVIEW: Acoustica Mixcraft Pro Studio 7
9. Propellerhead Software Reason
Propellerhead’s Reason has always been a great self-contained music production package for people who want to do everything ‘in the box’, but early versions were limited in that they couldn’t record audio and couldn’t be expanded with plug-ns.
Both of these issues have now been addressed; as of Version 6, Reason was combined with Record, Propellerhead’s short-lived audio recording software, and version 6.5 heralded the arrival of Rack Extensions - bespoke instrument and effect add-ons that can be purchased through Propellerhead’s online store.
Version 7 upped the ante still further with the addition of MIDI Out, deeper editing of audio recordings, the ability to convert recordings to REX files, a number of mixer tweaks and the new Audiomatic Retro Transformer effect. Reason 8, meanwhile, gave us a redesigned user interface and faster workflow, while version 8.3 included a Convolution-led overhaul of the RV7000 reverb.
Propellerhead has also been working hard on collaboration features for its DAW and iOS apps, giving you another - ahem - 'Reason' to get onboard.
FULL REVIEW: Propellerhead Software Reason 8
8. Avid Pro Tools
Among laymen, Pro Tools has practically become a byword for the whole process of recording a piece of music on a computer, which says something about its strength as a brand and ubiquity in studios.
As far as the latest version (12) goes, there's arguably more on focus on how you pay for and use Pro Tools than it is new features. As well as being able to buy outright, you can now subscribe to Pro Tools on a monthly or annual basis, while new support plans are available, too.
There's also Avid Cloud Collaboration, cloud-based project storage and the Avid Marketplace, which is designed to connect you with others in the audio community.
FULL REVIEW: Avid Pro Tools 11
(Review is of a previous version)
7. Cakewalk Sonar
Sonar has been around in various forms for a decade and a half, but earlier this year, great changes were made, particularly in the way that the software is sold, upgraded and supported.
We haven't got space to go into all the details here, but the bottom line is that, while you can still pay for Sonar upfront, you can now alternatively sign up to a monthly Membership subscription plan. Full details are on the Cakewalk website.
You should also note that Sonar no longer carries a version number. With it now being a continuously ongoing development, to which anyone can subscribe at any point, such nomenclature is no longer relevant.
What hasn't changed is the fact that Sonar offers an astonishing amount of power for the money, however you slice it up. As promised, Cakewalk has kept the regular updates coming, and it remains one of the finest Windows DAWs.
FULL REVIEW: Cakewalk Sonar
6. Steinberg Cubase Pro
On the market since the days of the Atari ST (ask your Dad), Cubase has been around for the advent of audio recording, plugin effects and instruments (Steinberg actually invented the VST standard) and every other major DAW development.
At the turn of the year, this long and winding development road brought us to Cubase Pro 8, which features a rebuilt audio engine, VCA faders, new options for bouncing MIDI and audio parts, and composing aids in the form of Chord Pads and the Chord Assistant. There were changes to the UI, too, plus new effects and a whole lot more besides.
Overall, Cubase Pro 8 feels just like what it is: a mature DAW that continues to evolve in interesting and creatively relevant directions.
FULL REVIEW: Steinberg Cubase Pro 8
5. Cockos Reaper
For the benefit of those not in the know, Reaper is a remarkably affordable cross-platform DAW that has a tiny footprint and sophisticated MIDI/audio routing capabilities. What’s more, the demo is fully-functional, though if you want to keep using it after 30 days, you’re required to pay the license fee.
Version 4 brought an assortment of new features, including pitch envelopes, surround sound support, and an improved, skinnable interface. The recently-released version 5 is similarly evolutionary, though big strides have been made when it comes to video support, which could help to attract a whole new audience. The FX implementation has been enhanced, too, as has the Media Explorer.
Refreshingly hype- and clutter-free, Reaper continues to be a DAW that does what it does very well, and offers oustanding value for money.
FULL REVIEW: Cockos Reaper 4
4. PreSonus Studio One
Studio One has been gaining ground for several years, and it's now a DAW of real power and maturity.
Version 3 heralded the arrival of new arranging, sound design and composing features, and added a couple of extra software instruments, too.
In fact, Studio One 3 is a very solid update, boasting greatly improved content, a significantly more powerful and creative feature set, and a generally more professional feel.
It all adds up to a well-rounded DAW that, for the most part, stands shoulder-to- shoulder with its far more established rivals.
FULL REVIEW: PreSonus Studio One 3
3. Apple Logic Pro
A Mac running Logic is almost an expected find when you head into a professional musician’s studio - it’s a supremely elegant music production solution that just works.
2015 has seen a flurry of activity in Logic land. First, in January, we had Logic X 10.1, which, on top of a variety of workflow enhancements, offered new Drummers, a brand new Drum Machine Designer plugin, a redesigned version of Logic's much-loved Compressor, a new, expanded sound library, and the ability for Retro Synth to make wavetables from imported audio.
Then, in August, came the surprise release of Logic Pro X 10.2, which brought a revised version of Camel Audio's awesome Alchemy synth to the party.
So, a DAW that was already great value now looks like even more of a steal. If you own a Mac, Logic Pro X is hard to resist.
FULL REVIEW: Apple Logic Pro X
2. Ableton Live
When the first version of Live was released in 2001, few could have predicted the impact it would have on the music software marketplace. Here was a DAW that threw out the traditional design rulebook and established itself not just as a recording program for composers, but also as a performance instrument in itself.
The updated version 9 hit the spot nicely. Its MIDI editing refinements are a big hit and the audio to MIDI conversion is brilliant. The new Browser is fast and smooth and the search function is great.
Live 9.2, meanwhile, delivers improvements to the software's audio warping engine and the way it deals with latency issues, along with more options for owners of Ableton's Push controller.
Given its popularity, it's easy to take Live - and what it offers - for granted. We shouldn't, though: it remains a remarkable and inspiring DAW.
FULL REVIEW: Ableton Live 9
1. Image-Line FL Studio
FL Studio began life as Fruity Loops, the phenomenally popular step-based beat/groove maker that’s been used by aspiring producers the world over (Deadmau5 included). However, full-on DAW status was achieved some time ago - if you think that this is merely an entry-level application that only allows you to create loops, you need to take a second look.
Version 12 of FL Studio, released this year, represents one of the most significant overhauls to the program in years. It offers a vectorial UI that looks great on high-resolution monitors, a redesigned and resizeable mixer, and updates to several of the software's plugins.
Is this a good point for the newcomer to jump onboard? Absolutely. FL Studio still lends itself more readily to in-the-box composition and mixing, rather than as the centre of a more traditional recording setup, but there's little it can't do in regard to the former.
What's more, in the context of what's going on in the rest of the DAW market, Image-Line's 'lifetime free updates' policy is looking more attractive than ever. The knowledge that you'll never have to pay an upgrade fee after that initial outlay is certainly reassuring.
FULL REVIEW: Image-Line FL Studio 12