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Computer Music, Fri 22 May 2009, 3:30 pm UTC

Step 4: One final bit of synth programming before we move onto effects: let's use a second LFO to do a bit of crazy pitch modulation at one point in the riff. Here, LFO 1 is set up with the QPulse wave, all ready to adapt the global pitch. We can automate this on one particular note to create a weird, blippy swooping effect.