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Cubase 6 is the result of more than two decades of development on Steinberg's part.

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Steinberg's recent Cubase 6 update was well-judged, addressing some of the gripes of existing users while also adding several forward-thinking new features.

But a spec sheet is one thing - what you really need to know is how the changes made in Cubase 6 will affect the way you make music with the software. And if you read our eight tips, you'll be a whole lot closer to finding out.

For a complete guide to Cubase 6, check out the May issue of Computer Music (CM164) which is on sale now.

External storage

New in Cubase 6 is the ability to store your personalised presets and attributes for Media Bay on a separate storage device - a USB memory stick, for example. This is done through the use of Volume Databases. To create a new Volume Database, browse to Define Locations in Media Bay, then right-click the drive you want to store it on and select Create Volume Database. Removing it again is just as easy: simply browse to the same place, right-click the drive and select Remove Volume Database.

Multiple bypass

Another cool new feature in Cubase 6 is the ability to simultaneously bypass insert effects over a selected range of channels. Hold down Ctrl while clicking channels in the Mixer window to select multiple channels as usual, then release Ctrl, hold Alt+Shift and click the Bypass switch for just one of the selected channels – and the rest will follow. Interestingly enough, this works with the Bypass buttons on separate insert slots as well as the main Bypass all inserts switch. If you were sufficiently organised with your plug-in chains, you could conveniently listen back to a mix with and without a saturation plug-in in place, for example.

Tape formant timestretch

Among the new timestretch algorithms in Cubase 6 is the rather odd addition of Èlastique Formant - tape. Why is it odd? Well, scientifically speaking, the name is something of an oxymoron. Tape timestretch algorithms are supposed to emulate the 'old school' method of timestretching, which links pitch and speed just like a tape machine or record player would do. In contrast, formant timestretching algorithms are designed to retain the acoustic stamp of the sound, derived from its frequency content. So how does this crossbred algorithm work? The answer is, it sounds nothing like tape but does strange things to the signal as it tries in vain to retain the formant, making it a great sound mangler - especially for vocals.

Smooth out quantise results

If you select a group of audio events and open the Quantize Panel, you can preview the settings by checking Auto Apply and playing back that section. This feature has been around for a while, coming in handy for discovering whether or not your quantise settings have introduced any gaps between hits. New to Cubase 6 is the addition of a Crossfades function, complete with its own editor. Clicking Crossfade at the bottom of the Quantize Panel sees the software intelligently overlap selected hits and automatically create fade points, thereby giving the impression of a natural, seamless transition.

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