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“Try using two reverbs, one for items that are nearby and one for parts that are further away.
"For distant parts, I’ll use a predelay of 30 to 60ms and a longer reverb time. The next step is to EQ the reverb – cut a little treble on the distant reverb but leave the nearby reverb as it is.
"Another trick is to use very short delay, no more than 25ms on left and right. Now mix the dry signal with the delays through the dry/wet parameter. Listen to how the brain perceives the delays, as a single element placed further away.”