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When it comes to mic'ing up his amp, Paul Gilbert likes to keep things simple.

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When it comes to recording guitar, everyone goes through a slightly different process.

Over time, we all find ways of working with comfortable 'old' setups and often end up discovering what could be considered unconventional methods. These procedural variations also factor as a major part of what creates unique music.

With this in mind, we contacted four star guitarists – John 5, Paul Gilbert, Adam D and Marty Friedman – and asked them how they go about capturing their guitar performances on hard disk or tape. Their methods certainly work for them, and they might just work for you, too.

John 5

Go organic
On my latest album, I took a more simple approach to my amp setup. At the studio where we record, they have loads of amps set up. I used a Marshall JCM 900 and a Fender Tone Master. We kind of just fire them up and go. I haven't been using a lot of effects, as I've had such a cool, organic sound – that's how I practise at home.

Doubling up
Everybody doubles their rhythm parts, but I always thought, 'Why don't they double their lead solos, too?'. It's really hard to do, especially with any bends and faster sections, and it does take a very long time, but I've been doing it a different way to make things a little easier. For instance, as soon as I've just finished a song, I'll double the lead part right away, while it's still completely fresh in my mind.

Scouting around
Always be prepared, and know what you're doing. It's like when you're in school; you'll want to study before you do a test, if you're going to do any good in it that is. Well, it's the same thing with anything in life, and recording guitar is definitely included.

Limiting factors
Go straight (direct input), or at least try to limit yourself to only one or two pedals or effects, otherwise you'll only mask your true sound and take something away.

www.john-5.com

Paul Gilbert

Mic 'n' easy
Electric guitar is the easiest thing to record. It's not like drums or vocals. Distorted guitar is especially easy, as it's already compressed. Use a dynamic mic, don't do anything fancy with it – just point it straight at the amp or angle it slightly and it'll sound great.

Tuning and timing
Recording comes down to two things: tuning and timing. Lots of unsigned bands I hear overlook timing. People think AC/DC, Green Day and the Ramones aren't great players because they don't play fast, but they have their timing nailed and their records are really tight and sound great as a result.

Balancing act
Editing parts is OK, but you need to find a balance and know where to draw the line, otherwise you can waste hours. I used to find that, after spending so much time editing, I lost sight of the original feeling that I was trying to create. You should always try to get the best possible performance in the first place.

Underdoing it
You can get lots of distortion from any amp or plug-in - it's not like 1975 when Marshalls just had a volume control. The problem is that jacked up guitars with loads of distortion will sound like mush. Try to get the song sounding good without loads of distortion and overdubs.

www.paulgilbert.com

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