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Master the tools in Cakewalk's new DAW
Computer Music, Tue 5 Jan 2010, 2:50 pm GMT
Although it may technically be just 'half an upgrade', Sonar 8.5 feels very much like a proper new version of Cakewalk's DAW.
Why? Because it's stuffed with new things to play with – both plug-ins and features have been added to the mix. In fact, you could argue that there's actually more new stuff here than there was in Sonar 8.
This being the case, a list of tips for getting the best out of Sonar 8.5 seems very much in order, and MusicRadar is here to provide it. For a complete guide to the software, check out the January issue of Computer Music (CM147) which is on sale now.
Sonar inspires a lot of very cunning ways in which to manipulate your vocal tracks. While you might immediately think of using V-Vocal to adjust the timing of a vocal, don't overlook the possibility of also using AudioSnap 2 to correct wayward timing. Better still, use it creatively, chopping and rearranging your vocal tracks into something entirely new.
The new VX64 Vocal Strip is very slick indeed. However, it can be tempting to overuse the thing, squashing the life out of your vocal tracks. When you need to apply a double-dose of compression, try this old producer's trick instead: apply two instances of the effect, each set to more moderate compression ratios and thresholds. In fact, why not go one further? Try using the VX64 in line with another compressor, such as the Sonar-bundled one from Sonitus.
We showed you how the Matrix View can be used to mix and match various Groove Clips, but don't feel as if you must always lock every clip to the beat. There is some appeal in letting a few of your tracks flow free from the tyranny of beat division. Try loading in some seemingly random, ambient noodlings and triggering them alongside your percolating sequences and thumping drum loops. You'll be surprised at how often they seem to fit together!
Vocals are, of course, the focal point in any song that features them. Sonar 8.5 comes with a wealth of effects that might not at first seem like obvious choices for a vocal track. For example, try strapping the HF Exciter across your vox to make them jump right out of the speakers, or give them an industrial edge with the Alias Factor Bit Decimator.
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