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1
"There are no safety nets in The White Stripes. It’s obviously harder for me to work with a 1964 plastic guitar compared with a brand-new one right off the factory line": Jack White talks gear and garage rock hipsters in this 2007 classic interview
2
“Why would that be embarrassing?!”: Jack Antonoff on how he feels about winning the Producer of the Year Grammy Award 3 years in a row
3
“In the flesh, he was earth-shattering. His style on every level was fantastic… playing with his teeth, his feet, and behind his head": When Buddy Guy rewrote the blues rulebook with a Strat and blew the collective minds of Clapton, Beck and Page
4
"We got the job done, and we made a hell of a lot of money doing it": Words of wisdom from Wrecking Crew legend Hal Blaine, Neil Peart's "six favourite drummers"
5
“Having too much stuff to start with gets in the way; there's too many options now”: Trent Reznor says that he and Atticus Ross like to choose “the best tools for the job” before they start writing
1
Here’s the final version of Behringer’s AKS Mini, a tiny version of the classic VCS3 synth
2
"The first one's not necessary": Why Peter Green dismissed his greatest blues-rock Fleetwood Mac song as a mere intro to a greater piece – one that would later intimidate even David Gilmour
3
We asked for mixing tips and production advice from engineers for Adele, New Order and Queens of the Stone Age: "I can’t count how many times I've used demo vocals in the final version"
4
Everyone’s talking about Taylor Swift’s Tortured Poets Department lyrics, but what about the production?
5
“We talked about synthesizers and sounds. She can get kind of nerdy and I really liked that”: Producer Carter Lang on his first meeting with SZA and how he ended up working on Kill Bill, her number one hit