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March 2024
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1
“We did turn a corner. But it must have been the biggest corner in the universe, ‘cos it took ages to turn it”: Inside the protracted creation and glorious guitar work of The Stone Roses' Second Coming
2
“When he left Death Row, Dr Dre was going to do an all-black heavy metal band, and I auditioned for it”: Trevor Lawrence Jr and Lauten Audio on getting hip-hop drum sounds from an acoustic kit
3
"He didn't tap a foot or move his head or anything. He listened to it all the way through and I thought he hated it": when an Eagle, Heartbreaker, Roger Linn and an Oberheim OB-X combined forces for a pop masterpiece – the Boys Of Summer story
4
“Come for the otherworldly pads, stay for the surprisingly hard-hitting bass”: Baby Audio Atoms review
5
“It’s noisy, it’s wild, and I’m by no means Jimi Hendrix, but we’ll get the gist”: Can Joe Bonamassa make a $1000 Band Of Gypsys rig sound like its vintage equivalent?
1
“We did turn a corner. But it must have been the biggest corner in the universe, ‘cos it took ages to turn it”: Inside the protracted creation and glorious guitar work of The Stone Roses' Second Coming
2
"He didn't tap a foot or move his head or anything. He listened to it all the way through and I thought he hated it": when an Eagle, Heartbreaker, Roger Linn and an Oberheim OB-X combined forces for a pop masterpiece – the Boys Of Summer story
3
"When we saw the bill afterward, that's why we're in this room now": Joe Elliot offers a tour of the home studio he built to save Def Leppard money after the cost of making Hysteria
4
“The lesser amount that the guitar shuts the string down the better the guitar is”: Paul Reed Smith explains what makes a good guitar – does yours pass his test?
5
“I think that the whole band was kind of misunderstood by everybody, and it gave us a sort of an edge, you know": The story of Cream's Disraeli Gears