Mackie Onyx 1620

This pint-sized package aims to satisfy all your analogue mixing needs, at home or out on the road

The Mackie Onyx 1620 comes across as robust and well thought-out, and comes with plenty of features packed in to that compact frame.

Channels one to eight have individual phantom-power switches, plus indicator LEDs, along the top panel.

They're also equipped with four-band EQ, offering sweepable hi-mid and low-mid.

It's likely you'll want to spend much of your time with these first eight channels, because their EQs are a joy.

They overlap well and you can get away with cranking them up a fair way. Normally you'd aim to cut, but the Mackie's channel EQ has a lot of headroom.

There's a kill-switch for each and punching them in and out for comparison reveals great tone with no discernible colouration.

In a similar manner to Behringer, Mackie has pursued that British-console sound and the effort put in to the EQ's design certainly shows.

The digital interface is an optional extra, although it's included in the price, and slots into a bay to provide two FW400 ports and 16 audio channels at 96kHz, 24-bit.

The Onyx 1620 offers more than we've room to write about here. It's well-built, packed with features and sounds excellent.

As a stand-alone analogue mixer for studio or live use it gives you an immense amount of control.

MusicRadar Rating

4.5 / 5 stars

Great sounds. Rugged construction. Great EQ's.


Not a lot here.


You get a lot for your money with the Onyx 1620, it looks built to last and has top tonality.

Audio Inputs




Depth (mm)


EQ Details


Height (mm)


Mixer Type


No of Inputs


Width (mm)


Review Policy
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.

Comment on Facebook