Seymour Duncan Dirty Deed Distortion

Duncan does distortion

As well as its legendary pickups, Seymour Duncan is forging a name in FX, too. The Dirty Deed Distortion is part of its latest compact range, and, as you might expect, deals with the filthier side of gain.

"We've tried plenty of distortion pedals over the years, but the DDD ranks among our favourites"

The DDD falls on the classic-rock side of distortion, with a presence and mid kick aimed at the stage. It boasts full-bodied gain at any drive level, courtesy of a circuit based around MOSFET transistors, which feature a dynamic response similar to a cranked amp.

That keeps the higher-gain sounds clear for liquid legato lines, and ensures they clean up with your volume knob for lighter crunches.

Although SD reckons the DDD is also great for boosting already-distorted amps, we preferred running it into a clean valve amp - if you're using humbuckers, you'll struggle to get low-gain sounds from the pedal on its lowest drive setting, and this can mean an overly saturated tone when combined with amp gain.

The treble and bass controls' active EQ helps to maintain the distortion's clarity, though, with up to 12dB of cut or boost for beefing up single coils or brightening 'buckers.

We've tried plenty of distortion pedals over the years, but the DDD ranks among our favourites: it's full of gain, low-noise and never fizzy.

MusicRadar Rating

5 / 5 stars
Pros

Sounds brilliant into a clean valve amp. Active EQ controls. Never fizzes out.

Cons

Not much.

Verdict

In this case, dirty deeds ain't done cheap, and more versatile drives are available, but for amp-like, balls-to-the-wall distortion, the DDD is worth plugging in.

Battery/Adaptor Type

9V Battery Nine-volt mains adaptor

Features

True bypass

Review Policy
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.

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